Bored, cigar-smoking, distrait. He could be lost in reverie, or just bored to tears. Charles Baudelaire might be one of the first great poseurs of our time – a not inconsiderable legacy.

Read more about Brussels Pout: Baudelaire’s Bad End

Trop Dandy: Sand, Colet, Musset

Raymond N. MacKenzie, 2 March 2023

George Sand found the tall, slim Musset, with his fashionably dishevelled blond hair, more agreeable than she had expected. He wrote poems for her and sent her sketches. There was no talk of love. On the...

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On Tour

Peter Howarth, 2 March 2023

Calling something a festival is no guarantee it will actually become festive in the deep sense. Some Sundays, like some festivals, are exercises in niche connoisseurship more than genuine enthusiasm. Others...

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Cool Vertigo: Auden Country

Matthew Bevis, 2 March 2023

Many maps have been offered over the years to assist the reader-quester, but if somebody gets a map out in one of Auden’s poems it’s usually because something has gone wrong. In one lyric a lover...

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Siblings is like a book from a lost civilisation. It comes with four pages of endnotes, which these days is unheard of in fiction. This bespeaks the arcaneness of the so-called Dreibuchstabenstaat, ‘three-letter...

Read more about No Room at the Top: Brigitte Reimann’s ‘Siblings’

Namwali Serpell’s aesthetic preference is to break a pattern almost before she has established it, to load, aim and cock a symbol but not pull the trigger. In The Furrows, the nexus between disaster,...

Read more about Splummeshing: Namwali Serpell’s ‘The Furrows’

What’s your story?

Terry Eagleton, 16 February 2023

If you can carve your own path to the grave these days, it is because grand narratives have crumbled and can no longer constrain you. Journeys are no longer communal but self-tailored, more like hitchhiking...

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Russell  Banks admitted that he wrote about the sort of people who voted for Trump; those were the people he came from. He wanted them to understand themselves better. But that didn’t mean he was an...

Read more about Mosquitoes in Paradise: ‘The Magic Kingdom’

Trees are complicated: H.D. casts a spell

Maureen N. McLane, 2 February 2023

If it is the job of a poet to cast spells, H.D. was very good at it. She was a master of the striking launch, the bravura speech act, sustained intensity. Her work can seem like a high-wire performance,...

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Kinda Wispy: ‘Venomous Lumpsucker’

Ben Walker, 2 February 2023

The characters in Ned Beauman’s book are defined by the extent to which they care about animals. Halyard doesn’t unless they’re going to make him money or send him to jail. Resaint empathises too...

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Batter My Heart: Who was John Donne?

Catherine Nicholson, 19 January 2023

The realisation that one might be show-offy in a good way is among Donne’s chief bequests to English literature, a salutary corrective to the 16th-century cult of Sidneian sprezzatura. The embrace of...

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BookTok

Malin Hay, 19 January 2023

On BookTok the cycle goes: rating books, simping over them, bringing ‘overrated’ books down a peg, and then rehabilitating them when the backlash goes too far. But there is a worry that we’re all...

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Is it my fault? Guadalupe Nettel

Sarah Resnick, 19 January 2023

Nettel is a mother, and she seems to be saying that ‘normal mothers’ do think ugly thoughts – or rather, that there is no such thing as a ‘normal mother’. There is a strong tradition of works...

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Who or what was Rimbaud? What is the relation of a historical person to a work that scarcely ever seems straight – that seeks to ‘strain meaning to the very limits’? Can history live by metaphors...

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Eyes that Bite

Anne Enright, 5 January 2023

Toni Morrison is not envious of her characters. They are not punished for the qualities she has given them. Pride does not always come before a fall. Beauty is not bestowed so it might be marred or destroyed....

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Jon Fosse​ doesn’t use sentences, or prefers not to end them. When you open Septology, with its smallish print and narrow margins, it can feel like a death sentence – all the more so since the book,...

Read more about It’s not me who’s seeing: Jon Fosse’s Methods

More interesting than the sentimental evocation of reading as an activity that sets lonely children apart is the conception of authors as would-be ushers of the apocalypse. That books themselves are pregnant...

Read more about I was there to inflict death: Cormac McCarthy’s Powers

Little Faun Face: There was Colette

Jenny Turner, 5 January 2023

‘Like having my skull opened with a tin-opener,’ Angela Carter said about reading Baudelaire as a teenager. Discovering the Claudine books, even at my age and with my Bataille phase far behind me,...

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