No Stick nor Trace: Bosnian fall-out

Gabriele Annan, 3 March 2005

Angela Brkic’s The Stone Fields is subtitled ‘An Epitaph for the Living’, but its underlying and overwhelming theme is death – death in Bosnia. It is a chronicle of...

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For nearly three generations, from the high-water mark of the Victorian age to the eve of the Second World War, the Stracheys were prominent in English life. Noted for their intellect and their...

Read more about Strenuously Modern: At Home with the Stracheys

Old, Old, Old, Old, Old: Late Yeats

John Kerrigan, 3 March 2005

The Abbey Theatre, Dublin, 1938. An old pedlar and his young son stand on a moonlit stage bare but for the ruins of a great house and a leafless tree. The Old Man declares that the house is still...

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Humphrey Jennings never lacked a sense of self-worth. Peggy Guggenheim, with whom he had a brief affair in 1937, remembered him jumping up and down on their Parisian hotel bed crying out:...

Read more about Damsons and Custard: Documentary cinema’s unsung poet

Why Sakhalin? charting Chekhov’s career

Joseph Frank, 17 February 2005

Chekhov biographers are lucky: they don’t have to face the problem of spending a good deal of time studying the life of someone they are liable to end up disliking intensely. Lawrence...

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Olga Chekhova was the beautiful and talented niece of Anton Chekhov’s wife, Olga Knipper. Her life spanned Lenin’s Revolution, Stalin’s Terror, and the rise and fall of...

Read more about Die Tschechowa: A Russian starlet in Hitler’s Berlin

Masses and Classes: Gladstone

Ferdinand Mount, 17 February 2005

What is Gladstone trying to tell us? Through the matted undergrowth of his prose, with its vatic pronouncements, its interminable subordinate clauses, its ponderous hesitations and protestations,...

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In His Hot Head: Robert Louis Stevenson

Andrew O’Hagan, 17 February 2005

Standing on the deck of the sinking Lusitania, the American theatrical manager Charles Frohman spoke his last words. ‘Why fear death?’ he was heard to say. ‘It is the most...

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Felix Mendelssohn, named for happiness, and privileged from birth, was one of the most musical men who has ever lived. He could paint, draw and write almost as well as he could compose. He read...

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The Central Questions: H.L.A. Hart

Thomas Nagel, 3 February 2005

When I finished this book I was left wondering why H.L.A. Hart hadn’t destroyed his diaries before he died. Perhaps modesty made him think that no one would want to write about him –...

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For a generation after the Second World War it was difficult to discuss one’s German-Jewish origins or the Holocaust without embarrassment. Even children whose families had been murdered in...

Read more about They can’t do anything to me: Peter Singer

As I was reading Stephen Greenblatt’s biography of Shakespeare on the train there was a woman sitting near me doing a deal on the phone. She was getting agitated. ‘But I have to...

Read more about Who wouldn’t buy it? speculating about Shakespeare

Our Island Story: The New DNB

Stefan Collini, 20 January 2005

A dictionary is, first and foremost, a practical resource; its usability when subjected to a variety of everyday scholarly demands must be the chief test of its worth. But a work on the scale of

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Diary: What I did in 2004

Alan Bennett, 6 January 2005

3 January. Alan Bates dies on 27 December and we break the journey from Yorkshire at Derby in order to go to his funeral. It’s at Bradbourne, a tiny village the taxi-driver has never heard...

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Hanif Kureishi’s father, like many fathers, hated his job (he was a clerk at the Pakistani Embassy in London). But unlike many fathers, he tried in his spare time to forge for himself an...

Read more about His Big Typewriter: reading Hanif Kureishi reading his father

The first edition of the Life and Correspondence of Mrs Hannah More sold out within three weeks; a second and third followed rapidly. ‘Holy Hannah’, as Horace Walpole called her...

Read more about Blush, grandeur, blush: one of the first bluestockings

Rudolph Valentino, according to his first-rate biographer, Emily Leider, who has already distinguished herself by writing the definitive book on Mae West, had a ‘slightly...

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Holy Boldness: John Bunyan

Tom Paulin, 16 December 2004

According to E.P. Thompson, The Pilgrim’s Progress and The Rights of Man are the two ‘foundation texts’ of the English working-class movement. It is above all in John Bunyan, he...

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