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A Predilection for the Zinger

Rebecca Mead: Lorrie Moore, 10 December 1998

Birds of America 
by Lorrie Moore.
Faber, 291 pp., £9.99, November 1998, 0 571 19529 6
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... to occupy a smaller and smaller cultural space. Apart from the superstars like Philip Roth or Toni Morrison, literary writers in America are accorded a social status roughly equivalent to that of artisanal potters producing, like them, lovely, unnecessary work that hardly anyone cares enough about to want. (That’s the kind of writer Kathryn ...

Then You Are Them

Fredric Jameson: Atwood, 10 September 2009

The Year of the Flood 
by Margaret Atwood.
Bloomsbury, 434 pp., £18.99, September 2009, 978 0 7475 8516 9
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... of an ideological doctrine? In a post-feminist age, whose great writers (Ursula Le Guin, Toni Morrison, Christa Wolf) are not women writers but just writers, Atwood does not easily fit some category labelled feminist: The Robber Bride, whose male figures are mostly not even violent but simply inept (the masculine ‘masquerade’, said ...

The Magic Bloomschtick

Colin Burrow: Harold Bloom, 21 November 2019

The American Canon: Literary Genius from Emerson to Pynchon 
by Harold Bloom, edited by David Mikics.
Library of America, 426 pp., £25, October 2019, 978 1 59853 640 9
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... a wider world of writing. There are chapters on black authors (Ralph Ellison, Zora Neale Hurston, Toni Morrison, James Baldwin, Robert Hayden, Jay Wright) as well as on 12 women writers. Toni Morrison (‘a child of Faulkner’) is given shorter shrift than she deserves and told off for being ideological, but some ...

Plummeting Deep into Cold Pop

Zachary Leader: Colson Whitehead, 13 December 2001

John Henry Days 
by Colson Whitehead.
Fourth Estate, 389 pp., £12, June 2001, 1 84115 569 1
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... praise from American critics. Whitehead is black and comparisons were made to Ralph Ellison, Toni Morrison and Ishmael Reed. John Updike has called him ‘blithely gifted’, ‘the young African-American writer to watch’. Whitehead’s new novel, John Henry Days, is longer and more ambitious than The Intuitionist, and the suggestion in its title ...

Long live the codex

John Sutherland: The future of books, 5 July 2001

Book Business: Publishing Past, Present and Future 
by Jason Epstein.
Norton, 188 pp., £16.95, March 2001, 0 393 04984 1
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... line up to offer puffs for Book Business: ‘brilliant, moving and profoundly insightful’ (Toni Morrison); ‘a putative classic … fine and impeccable style’ (Norman Mailer); ‘an extremely important literary document, elegantly written and impeccably argued’ (E.L. Doctorow). Norton should distribute little blue sachets of salt, like the ...

I love her to bits

Deborah Friedell: ‘The Testaments’, 7 November 2019

The Testaments 
by Margaret Atwood.
Chatto, 419 pp., £20, September 2019, 978 1 78474 232 4
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... being told to ‘check your privilege’, and it’s titillating. In an introduction to Beloved, Toni Morrison wrote about her attempt to write about the ‘different history of black women’ in America: ‘a history in which marriage was discouraged, impossible or illegal; in which birthing children was required, but “having” them, being ...

Why do white people like what I write?

Pankaj Mishra: Ta-Nehisi Coates, 22 February 2018

We Were Eight Years in Power: An American Tragedy 
by Ta-Nehisi Coates.
Hamish Hamilton, 367 pp., £16.99, October 2017, 978 0 241 32523 0
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... punishment. They took the initiative. Clinton, hailed as the ‘first black president’ by Toni Morrison, ended what he called ‘welfare as we know it’ and deregulated financial markets. Amid a national panic about ‘street terrorists’, he signed the most draconian crime bill in US history in 1994, following it up two years later with an ...

Silence

Wendy Steiner, 1 June 1989

Real Presences 
by George Steiner.
Faber, 236 pp., £12.99, May 1989, 0 571 14071 8
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... of understanding and of judgment ... are invested in the overnight.’ After all, who would set Toni Morrison next to Paul Celan? And lest this reference to black women writers of the Eighties appear a random example, we might look at Steiner’s musings on the relation between gender and art. He considers the act of aesthetic creativity an imitation ...

Spells of Levitation

Lorna Sage: Deborah Eisenberg, 3 September 1998

All around Atlantis 
by Deborah Eisenberg.
Granta, 232 pp., £8.99, March 1998, 1 86207 161 6
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... and now with Asian Americans. In the marvellous lectures collected in Playing in the Dark, Toni Morrison talks about the way in which black characters in classic American writing have had to carry the burden of the author’s symbolism. How much more galling, when you are a writer yourself, being made to tote that bale in some cultural-historical ...

Pen Men

Elaine Showalter, 20 March 1986

Men and Feminism in Modern Literature 
by Declan Kiberd.
Macmillan, 250 pp., £13.95, September 1985, 0 333 38353 2
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Women Writing about Men 
by Jane Miller.
Virago, 256 pp., £10.95, January 1986, 0 86068 473 3
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Phallic Critiques: Masculinity and 20th-century Literature 
by Peter Schwenger.
Routledge, 172 pp., £29.50, September 1985, 0 7102 0164 8
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... as Richardson, Rebecca West, Alexandra Kollontai, Christina Stead, Jean Rhys, Doris Lessing, Toni Morrison and Alice Walker, Miller’s deliberately unsystematic readings have an impressive cumulative power. By the end of the book, as she discusses the work of black and working-class writers, women who have been so excluded from the culture’s ...

Inside the Barrel

Brent Hayes Edwards: The French Slave Trade, 10 September 2009

Memoires des esclavages: la fondation d’un centre national pour la memoire des esclavages et de leurs abolitions 
by Edouard Glissant.
Gallimard, 192 pp., €14.90, May 2007, 978 2 07 078554 4
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The French Atlantic Triangle: Literature and Culture of the Slave Trade 
by Christopher Miller.
Duke, 571 pp., £20.99, March 2008, 978 0 8223 4151 2
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... or the debates it has brought about in Britain or the United States; it’s hard, too, to imagine Toni Morrison or Caryl Phillips being asked to take charge of such matters. As Christopher Miller points out in The French Atlantic Triangle, in France ‘literature was one of the most important battlegrounds for the debate on slavery.’ But in spite of ...

I cannot explain my wife

Joanna Biggs: ‘Biography of X’, 4 May 2023

Biography of X 
by Catherine Lacey.
Granta, 394 pp., £18.99, April, 978 1 78378 927 6
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... because she is, at moments, Renata Adler, and X sounds like a genius because she is variously Toni Morrison, Cy Twombly, Susan Sontag, Cindy Sherman, Susan Howe, Richard Hell, Clarice Lispector, Bob Dylan and Edie Sedgwick. (Not an exhaustive list – and if it doesn’t cohere, well, the Zelig-like career of an artist like X isn’t meant to.) Not ...

Did he leap?

Mendez: ‘Harlem Shuffle’, 16 December 2021

Harlem Shuffle 
by Colson Whitehead.
Fleet, 320 pp., £16.99, September 2021, 978 0 7088 9944 1
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... and deliberately to acquire the art of taking control. This, perhaps, is the challenge to which Toni Morrison referred when she wrote: ‘The very serious function of racism … is distraction. It keeps you from doing your work.’ Throughout the book, Whitehead emphasises the barriers Black people come up against when trying to make their way. The ...

As Many Pairs of Shoes as She Likes

Jenny Turner: On Feminism, 15 December 2011

... Nina Power writes towards the end of her chapbook, One Dimensional Woman. She then hands over to Toni Morrison speaking to Time magazine in 1989. On single-parent households: ‘Two parents can’t raise a child any more than one. You need a whole community … The little nuclear family is a paradigm that just doesn’t work. It doesn’t work for white ...

I write in Condé

Alexandra Reza, 12 May 2022

Crossing the Mangrove 
by Maryse Condé, translated by Richard Philcox.
Penguin, 170 pp., £9.99, September 2021, 978 0 241 53005 4
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Waiting for the Waters to Rise 
by Maryse Condé, translated by Richard Philcox.
World Editions, 282 pp., £12.99, August 2021, 978 1 912987 15 3
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L’Évangile du nouveau monde 
by Maryse Condé.
Buchet Chastel, 287 pp., €20, September 2021, 978 2 283 03544 3
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... elderly relative you have to brace yourself for at Christmas. She admires V.S. Naipaul. She finds Toni Morrison ‘politically correct’. She believes the French language ‘was forged for me alone’. She has, she admits, ‘a provocative side I can’t get rid of, unlike the right-minded people who see the world as a reality they can codify’.This is ...

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