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“... editor in the early 1960s. It must have seemed strange to read the poetry of Pound, Williams, Robert Duncan, Ian Hamilton Finlay, Robert Creeley and Louis Zukofsky in a right-wing political journal. ‘Don’t worry about the Birch boys,’ Kenner wrote to Davenport in 1961, trying to persuade him to contribute to the ...”

“... Henry James acknowledged that her novels were ‘brilliant, lively, ingenious and destitute of a ray of sentiment’. In a letter of 1911 he told her that ‘I used to follow you ardently.’ But after her death Braddon’s reputation declined, along with the reputations of many other innovative Victorian women writers. When I was researching her work in the ...”

“... and horror stories. I never saw the programmes, but I believe some quite good writers, like Ray Bradbury and Richard Matheson, contributed. Despite my lack of familiarity with the stories, I do quite well with this machine. Old machines with their slowed-down responses are generally easier to win on – unless, that is, one or two of the flippers have ...”

“... the Road’ (original typescript, 1951) Jack Kerouac, ‘The Slouch Hat’ (c.1960) John Cohen, ‘Robert Frank, Alfred Leslie, Gregory Corso’ (1959) Wallace Berman, Untitled (Allen Ginsberg, c.1960)PreviousNext These names belong to the original small group of friends who met in New York in the early 1940s. Within ten years Ginsberg had moved to San ...”

“... painted around the time of William’s death in 1663 and commissioned either by him or his son Robert. Having existed in obscurity for centuries (on its donation to Norwich Castle Museum, the last owner warned: ‘the painting is very faded, of no artistic value, only curious from an archaeological point of view’), it is now the subject of a huge ...”

“... Conservatives like to emphasise the political and personal ambitions of the leadership – the Ray Bucktons of this world – thus failing to explain why the rank and file seem so regularly to find sound reasons of self-interest to support their leaders’ supposedly selfish causes. The catch-phrases in the Marxist explanation of why workers put up with ...”

“... Here was a then-regular sodality, consisting at different times of Kingsley Amis, Bernard Levin, Robert Conquest, Anthony Powell, Russell Lewis and assorted others, and calling itself with heavy and definite self-mockery ‘Bertorelli’s Blackshirts’. The conversational scheme was simple (I think it had evolved from a once-famous letter to the Times ...”

“... Robert Altman’s Short Cuts is a long, loose-looking movie, but the looseness is an effect, carefully worked for. Plenty of themes recur throughout – insecurity, chance, rage, damage, the long, bruising war between men and women – and although there are fourteen or fifteen stories here (based on extrapolated from ten stories by Raymond Carver – the handouts and the introduction solemnly say nine stories and a poem, but the so-called poem is also a prose narrative), they are intricately stitched together, like a miniaturised Comédie humaine set in Los Angeles ...”

“... of the US army, as it advanced across Europe in 1944, were Rolleiflexes. Contemporaries such as Robert Capa would have found that decision insane – almost as insane as joining the advance in the first place, given that Miller was a former fashion model who never wore the same outfit for more than a few hours. She was also a hypochondriac. Her colleague ...”

“... and she breathlessly describes reading his stash of Taylor’s letters in front of him: ‘Ray sitting and watching me copy them out, sometimes reminiscing, sometimes producing photographs, sometimes sketching me.’ Beauman insists that what Taylor and Ray Russell had was true love, and she is horrified by ...”

“... libre ou mourir’, but that wouldn’t have rhymed with ‘holocauste fort’. Plenty of Hubert Robert (‘du plus pur Hubert Robert,’ as Jouve used to say). Found a Folio series edition of Restif de la Bretonne’s Nuits de Paris in the tempting bookshop. When I first knew the Marais in the late Forties it was ...”

“... soon as it appears, and everyone still wants to be a gangster. He is not exactly a tragic hero, as Robert Warshow once suggested in a famous essay, but he is an embodiment of rogue power, a Robin Hood without the sentimental interest in the poor. Actually, gangsters in movies are always giving things away to children and widows, as Jack Nicholson hands out ...”

“... who also shot Polanski’s The Pianist, as well as Taylor Hackford’s glossy biography of Ray Charles. This is important, because the movie is mostly about the way it looks. It’s meant to be a political thriller – based on Robert Harris’s novel The Ghost (the film has that title in the UK) – but it feels as ...”

“... a jagged strip of canvas left bare at the top. It’s reminiscent of Clyfford Still, or one of Robert Motherwell’s blue paintings: the old Abstract Expressionist elite, New York’s first artistic avant-garde, are seldom far from Basquiat’s large-scale works. His favourite painter, apart from Cy Twombly, was Franz Kline. But, as in Twombly’s ...”

“... inconsistent with the migrants’ own desires’. Similarly, the folklorists Charles Todd and Robert Sonkin, sent west under the aegis of Alan Lomax and the Library of Congress to record what might be left of the migrants’ musical lore, paid no attention to what the Okies – by now into commercialised country and western music – wanted to hear, play ...”