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“... mud With snailtrack stitching, pyjamas of glittering silica, A shirt of schists, the cricketer’s white of china-clay, And the sea winking, and the waves leaping Over and over each other in the tidal circus, The little snapping white horses, And the green horses racing in the oaks. What is this Lord dressed in this ...”

“... well-understood elements will be arranged. In Parri Spinelli’s drawing from the mid-1400s of St Peter holding a key, Peter’s cloak, like one of those skirts made of layers of handkerchiefs, hangs down in points. Delicate cross-hatched shadows and curling lines depict overlapping hems that outdo the vestments of even the ...”

“... that made no concession to hierarchies of taste. My mother’s copies of Vogue, with black and white photographs by Penn, Avedon and Horst, and drawings by John Ward, Bouché, Eric and the rest, are still my best notion of what a sophisticated magazine should look like. The Post, with its Rockwell covers and advertisements for refrigerators of giant ...”

“... the exhibition, one of a young gypsy wearing a loose jacket, high-waisted trousers and a white collarless vest says most about Yamamoto’s use of sources. It is his favourite photograph, one of the studies of German types made by August Sander in the 1920s and 1930s, which have been a regular inspiration. The young man, his hair long, his face ...”

“... gay couple (or artistic couple of any sexual stripe), as celebrated as the earlier musical duo Peter Pears and Benjamin Britten, though they rigorously resist all efforts by the gay community to assimilate them. When Farson asked them for details of their sex life, George became vehement: ‘That’s part of a different story. Not part of the G–G ...”

“... than anything painters commonly manage comes through. Sir John Herschel’s stubbly chin and wild white hair as they emerge from draped velvet in Julia Margaret Cameron’s photograph do not conform to the painterly canon of images of great men. But many early art photographs do recall paintings. Country people in ...”

“... in the Royal Collection: Renaissance and Baroque. They include the Caravaggio Calling of Saints Peter and Andrew, the two Tintorettos (Esther before Ahasuerus and The Muses) and the two Bassanos (The Adoration of the Shepherds and The Journey of Jacob); the Lovers attributed to Titian, the Correggio Holy Family, the Bronzino Portrait of a Lady in Green, the ...”

“... of James Turrell’s art. Another is the experience of space without reference points, as in a white-out when snow and mist remove all indication of near and far, or its converse – the absolute darkness of a blacked-out room. Indeed Turrell seems to find sources for his work in anything that separates light from substance, any situation where colour is ...”

“... Rising in the soil Gradually like sealed firmaments; Knapped open they show Blue and cloudy white; Or like bubbles of the oozy bedrock, Like sky-blue apples falling upwards Very slowly. The hollow blue-black Underground tree of the mine, The thick orchards of the mines Berried with flints, and these blue fruits Are full of stars, their darkness When ...”

“... with leathry cracks, past fangs worn down in service, opening their oysters, good riddance! The white flame tacks over the edge, my erstwhile masters leave me here alone, king of all this. It’s her loss, I pushed my body on her, I kissed-up hers – so no brood of hairy babes in treetops toss down coconuts for Da’, pile on us laughing, or howl while ...”

“... own account, Irina was born a nonconformist – even sympathising with the Russian equivalent of Peter Rabbit. As soon as she was old enough to count the change, she went out with the other children to stand in the bread queues. At school they had sums to work out, showing how much the State spent on each of them: why was the State so stingy? It was a ...”

“... John White is famous for the drawings he made in the late 1580s which record aspects of the North American littoral: its geography, its inhabitants, their dress, customs and dwellings, and the birds, plants and animals found there. Seventy-five of White’s drawings, along with navigational instruments, maps, books and relics of 16th-century exploration are on show in A New World, an exhibition at the British Museum until 17 June ...”

“... paintings in which it is possible to follow a sequence from first outline, through penwork, white underpainting and laying on of gold, to final colouring in. The exhibition is arranged thematically as well as by chronology, which makes it possible to get a grasp of how the needs of public liturgy, personal devotion and scholarship shaped texts ...”

“... received style of late 18th-century architecture what Gehry’s Guggenheim Bilbao was to minimal white-box museum design. Innovative buildings are often, unsurprisingly, small, functionally undemanding pavilions or pavilion-like structures – Gehry first made a mark by doing unusual things with houses – and the history of architectural styles is often ...”

“... nor can I be sure a canvas will have the same effect at different times. The black, grey and white images, some on bare canvas, are the ones which most often become significant – the ones I would say were beautiful if I didn’t feel the need for a word which takes more account of the energy they generate. Some of that energy comes from the placing and ...”