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“... his own description, a ‘freelance dropout’, in thrall to the new avant-garde. A decade later, Mark Glazebrook, the disorganised but incisive new director of the Whitechapel Art Gallery, was wandering around the Central School of Art when he came across Hollis, then a tutor in the graphic design department. Hollis, who had learned typography from a student ...”

“... Bedford College. Here, at the age of 14, she fell violently in love with her headmistress, Lucy Harrison. Miss Harrison was one of the great educationalists of the turn of the century. ‘There was something royal in her nature,’ Octavia Hill wrote. There was also a strongly masculine element. She was one of the ...”

“... that Iuh has his left arm round his wife’s shoulder, which is, according to the label, ‘a mark of affection’. It is another version of what inspired Larkin’s poem ‘On an Arundel Tomb’, where the effigies lie hand in hand. That turned out to be a bit of sentimental 19th-century restoration, whereas this husband from the Old Kingdom has had his ...”

“... home? Answering the pulls and torsions of that question produces much of the verse of Heaney, Harrison and Dunn, but it also produces very different kinds of poetry. Martianism had nothing to do with Mars, everything to do with home, the place where Craig Raine (like Murray or Dunn) feels richest. Surely Martianism comes from the ‘Ithaca’ section of ...”

“... that, there is something very deep that is yet to be appreciated by Westerners.’ George Harrison and Ravi Shankar at the Royal Albert Hall on 23 September 1974. Images of Shankar – sitting cross-legged on a carpet, playing his sitar – have become synonymous with Indian classical music, yet when his story is told it too often focuses on his ...”

“... have felt they were able, or not able, to do.In an essay in the exhibition catalogue, Charles Harrison describes one kind of artistic inhibition with reference to Mark Rothko. In 1958 Rothko explained that although he belonged ‘to a generation that was preoccupied with the human figure’, and although it was ...”

“... vain and inconsistent, he was nonetheless always his own man. Energy, courage and resilience mark the whole of his long career; his loyalty to his working-class admirers was complete, nor did prison shake his convictions. Belchem is a child of the 1960s. ‘A change is gonna come’ is his epigraph, and he writes of ‘the exhilarating experience of ...”

“... ways, the latest developments in the second tradition. Both possess other similarities, which mark them as belonging to the same stage in the life of man as historian. Both are monographs, produced by professionals with a long career of research behind them, basing their work on an analysis of all surviving sources for their ...”

“... composers he could. Henze accepted it (Elegy for Young Lovers, The Bassarids); Tippett and Harrison Birtwistle resisted. The latter has worked fruitfully (the small-scale pieces Bow Down and Yan Tan Tethera) with Tony Harrison, another poet avid for theatrical and operatic activity; and his most recent full-length ...”

“... a crowded, run-down version of Tokyo. Coca-Cola is advertised, and Rick Deckard (played again by Harrison Ford) still drinks Johnny Walker Black Label, although it now comes in a fancy designer bottle. Replicants are on the loose, a lonely blade runner chases them, and is repeatedly and bloodily beaten up for his pains. The old metaphysical questions ...”

“... besides a desire to be arresting – lies behind Professor Fishkin’s clearly tendentious title? Mark Twain, Clifton Fadiman wrote, is ‘our Chaucer, our Homer, our Dante, our Virgil, because Huckleberry Finn is the nearest thing we have to a national epic. Just as the Declaration of Independence ... contains in embryo our whole future history as a ...”

“... shows) Charles Edward Eaton; from William Radice (a beautifully imagined variation on Virgil), and Mark Beeson (a similarly accomplished essay in the Dantesque); from Pauline Rainford, Monica Ditmas, Anne Stevenson (two) and John Whitworth; from Aidan Carl Mathews (another besides ‘Severances’); from Thomas Shapcott (who may be Australian – we aren’t ...”

“... them – John Lennard proffers, by way of Erasmus, the happy term lunulae, little moons, for this mark itself, the enclosing curves within which these words of mine now come to a close). And second, that for a couple of hours a few years ago, he and I (both then stranded on foreign shores) exchanged thoughts about the ways of his thinking.So there must be no ...”

“... as Soviet citizens unviable. A number of DPs told American interviewers that but for such a black mark, whose dire consequences were clear to any Soviet citizen, they would probably not have wanted to leave. But contemporary observers, however well-intentioned, couldn’t be expected to pick up these nuances. Even Eleanor Roosevelt, a US representative at the ...”

“... and vogueishness – have been dealt with explicitly by other writers: Douglas Dunn, Tony Harrison, Linton Kwesi Johnson, John Agard, Grace Nichols and Tom Leonard, to name a few. For some, ‘literary art’ is a territory to be attained (Harrison’s ‘we’ll occupy/ your lousy leasehold, poetry’), in others a ...”