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“... the nominal headquarters of Locus Solus, the little magazine he had once edited with John Ashbery, Kenneth Koch and James Schuyler. His thinking was that the prime currency of intelligence work is information about places, and travel agents have access to a great deal. He might even make some money. The AARO invites him to give a talk to an eclectic group ...”

“... At the other end of the spectrum Malley has been championed by the New York poets John Ashbery and Kenneth Koch, who printed a selection of his work in 1961 as part of a special ‘collaboration’ number of Locus Solus, a magazine they edited with Harry Mathews and James Schuyler. (It was here that I first came across Malley’s poems, nestled up against ...”

“... art and literary society with its own yellow building at 46 Dunster Street’. It was there he met Kenneth Koch, and the two got on famously, as they would for the next fifty years. Ashbery was asked to read at the Widener Library Poetry Room, where he was already a near permanent presence. He listened to lots of music on the Victrola he bought for his ...”

“... himself (who also funded it with a legacy from his grandfather), Ashbery, James Schuyler and Kenneth Koch. Like most avant-garde magazines, Locus Solus (named after Roussel’s second prose novel, published in 1914, and with an epigraph from his final long poem, from 1932, Nouvelles impressions d’Afrique), was founded primarily as a forum for the ...”

“... Modernism of e.e.cummings, were just as much part of the movement as Ed Dorn, Robert Creeley or Kenneth Koch. With his Essex Poems, even Donald Davie, the very type of the English conservative poet-critic, appeared to have capitulated to ‘American’ Modernism, just as the more recent poems of Charles Tomlinson seemed touched by the dotty ...”

“... At a Harvard College full of incipient talent – his classmates included Frank O’Hara, Kenneth Koch, John Ashbery and Donald Hall – Creeley felt discouraged and alone. ‘My eager thirst for knowledge, almost Jude-the-Obscurian in its innocence, was all but shut down by the sardonic stance of my elders,’ he recalled. He left college in ...”

“... little short tale in verse about the buzz saw, a sonnet of Dante admirably translated by Kenneth Koch, Adrian Mitchell’s ‘Giving Potatoes’, Theodore Roethke’s ‘The Meadow Mouse’ or a 12-line poem by James Stephens (author of The Crock of Gold) entitled ‘A Glass of Beer’, whose concluding curse on a disobliging barmaid purports to ...”

“... working. He simply didn’t know any other.’ He was not much good at sharing either, as Howard Koch, Herman Mankiewicz, John Houseman and others discovered to their cost. ‘Orson’s concern was entirely for Orson,’ Joan Fontaine, his co-star in Jane Eyre, remembers. James G. Stewart, the veteran dubbing mixer on Citizen Kane, describes what it was like ...”

“... of the museum), and the other half from just four people: the hedge fund billionaires Leon Black, Kenneth Griffin and Steven Cohen, and the media mogul David Geffen (a new centre is named after Cohen and his wife, and an entire wing after Geffen). They responded to the call of MoMA’s director, Glenn Lowry, to recapture the idea proposed by Alfred Barr, its ...”

“... Ever since 1956, when Fidel Castro left Veracruz for Santiago de Cuba like a conquistador in reverse, Mexican-Cuban relations have been a sensitive area. Cynical Mexicans might take the view that their government’s attitude is, or rather was, a matter of ‘I’ll support your revolution – and appear to take a stand against the US – if you don’t export it over here ...”

“... to fisticuffs over Barbara? What made Janetta, still married to Hugh Slater, fall in love with Kenneth Sinclair-Loutit, and would that relationship last?Taylor wades deep into the cigaretty fug of that small literary circle awash with till-boredom-do-us-part love affairs conducted in rented accommodation. (The love affairs were usually shorter than the ...”

“... him the offer to come to Hollywood and make a picture for RKO. The Martian script was by Howard Koch, who would later work on Casablanca and The Letter, but everyone always knew that Welles’s contribution was central. He had advised Koch to employ the present tense and let the story unfold as a piece of live radio: it ...”

“... wrote in Ouch, his first solo pamphlet, ‘Alas his art is dead.’ New York (Ashbery, O’Hara, Koch) seemed to have the glamour, the community, that England lacked. With gifts of a different order, and a more concentrated ego, he could have made an Audenesque transfer to the Lower East Side. ‘Cockney visionaries’ were not then on the agenda. His ...”

“... Ireland in response to the new threat, given the view of the former commissioner of the Met, Sir Kenneth Newman, that Northern Ireland made an ideal laboratory for policing methods to be tested out, before being applied to the mainland. In The Politics of Force: Conflict Management and State Violence in Northern Ireland (2002), Fionnula Ní Aoláin has ...”