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“... New Left Review Benedict Anderson made sharp criticisms of the work of the journalist and poet James Fenton in which a comparison with that of Kapuściński was noted: you were left with the sense of two talented crisis-fancying literary tourists. Kapuściński exercises a personal charm which must have helped him to establish friendly relations with ...”

“... Redmond O’Hanlon’s account of a journey to Borneo, undertaken with the poet James Fenton, was a grand deception, in which the ostensible search for an indigenous rhinoceros on the slopes of a mountain fastness turned out to be so much camouflage. Clues as to what was really happening could be glimpsed in the structure of O’Hanlon’s narrative ...”

“... Into the Heart of Borneo contains much pretty tiresome knockabout between the reverenced James Fenton, whose every quip is sacredly recorded, and the bumbling O’Hanlon. The precise descriptions of birds are far more entertaining. For this next trip O’Hanlon again approached James Fenton but received ...”

“... Born too late – and that was the least of it – to be James Fenton, I cannot claim to have spent the fall of Saigon hitchhiking to President Nguyen Van Thieu’s palace aboard a Northern Vietnamese tank. By the time I reached the city, more than a decade after the President’s government was toppled, I was also a little late to experience the thrill that the poet and war correspondent had felt in living through its death throes ...”

“... friends in a charmed circle. This even applies in some degree to so deliberately moving a poem as James Fenton’s ‘Children in Exile’, describing the arrival in Italy of Cambodian and Vietnamese refugees. I hear a child moan in the next room and I see    The nightmare spread like rain across his face And his limbs twitch in some vestigial combat ...”

“... Britain (until 17 September) there are writings, culled from various sources, by Julian Barnes, James Fenton, Susan Sontag, William Boyd, Bruce Chatwin, Bruce Bernard and Colm Tóibín (Barnes has also made a loan to the exhibition). Some are affectionately biographical. Comparisons between Hodgkin’s art of memory and Proust’s are made.* The ...”

“... the English faculty’s lecture list for Trinity term 1996, I find that the Professor of Poetry, James Fenton, will give a lecture on 9 May entitled Eliot v. Julius. It would be improper of me to anticipate Fenton’s approach to Anthony Julius’s compelling study, but I would hope that he will not see fit to mount ...”

“... Wollheim, and no fewer than 13 of Spender’s own poems, read by Harold Pinter, Ted Hughes, James Fenton, Jill Balcon and Barry Humphries. (At Larkin’s, there were three.) Spender’s order of service, despite his obvious absence, seems to acknowledge both his customary admiration for the truly great and his anxiety about not being great ...”

“... the cruddy world of politics and sees hilarity in its tiny events. He knows his subjects (‘James Callaghan, the Harold Wilson of politics’). He knows that Mr Healey is clever, and will therefore lose the argument. And he reminds us that Mr Heseltine is ‘a blonde’. Johnson quotes his namesake, the good Doctor, on taking care to see ‘that the ...”

“... youthful, after all.’ But the motif survives that irony. Raine finds it most seriously in Henry James and Matthew Arnold; in James in ‘The Beast in the Jungle’, ‘The Private Life’, Washington Square and other fictions of the unlived life; in Arnold in his poem ‘The Buried Life’: And we have been on many ...”

“... When We talk of narrative poetry today,’ James Fenton asks in the September issue of Poetry Review, ‘are we referring to the kind of story in which, you want to know what happens next? I think not. I think that kind of story is deliberately excluded from consideration.’ It’s a well-timed question, with Blake Morrison and Andrew Motion’s advocacy of narrative in The Penguin Book of Contemporary British Poetry being so widely and respectfully read, and well-directed too, since it clarifies what’s confused in the Penguin introduction by the editors’ simultaneous recommendation of Post-Modernist ‘secrecy’ and the Keatsian ‘long poem ...”

“... poem. Muldoon gets a mention – along with just about everyone else they can think of – in Fenton and Fuller’s collaborative book of light verse, Partingtime Hall. I especially enjoyed the public-school master Mountgrace-church MacDiarmid’s taste in literature: Selected John Ashbery, Schuyler, O’Hara, Gravity’s Rainbow, and End as a Man, Young ...”

“... editing the one with a strong authorial hand and appearing twice in the other in the company of James Fenton. To be a love poet is a matter of tone, then, not of personality. The men in John Whitworth’s book ‘go in like whippets’ ‘for fearsome thrashes’ and ‘noholds barred’ – phrases from a single Kingsley Amis poem – and the ...”

“... The contributors fall into three main groups: the poet-critics (Blake Morrison, Craig Raine, James Fenton, Alan Jenkins, Clive Wilmer), the academics (Nicholas Jenkins, Terry Castle, Colin McGinn, Deborah Cameron, Deborah Bowman, William Pritchard, Eric Homberger, Michael O’Neill, Rachel Buxton) and the memoirists (Karl Miller, Anthony ...”

“... Larkin recently inspired. Of that generation of younger poets represented by Andrew Motion, only James Fenton is a known quantity in America, and his renown probably stems less from his poems, meritorious as the best of those may be, than from his political journalism and celebrated daredevilry, This indifference to contemporary English verse appears ...”