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Cary Grant: A Class Apart 
by Graham McCann.
Fourth Estate, 346 pp., £16.99, September 1996, 1 85702 366 8
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... A man has been mistaken for somebody else. He has been kidnapped, forced to drink a bottle of bourbon and sent off to meet his death in a stolen car. He survives, and decides it is time to get things straight. He bribes his way into the hotel room of the man he is supposed to be ...

The Sound of Cracking

Pankaj Mishra: ‘The Age of the Crisis of Man’, 27 August 2015

The Age of the Crisis of Man: Thought and Fiction in America, 1933-73 
by Mark Greif.
Princeton, 434 pp., £19.95, January 2015, 978 0 691 14639 3
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Moral Agents: Eight 20th-Century American Writers 
by Edward Mendelson.
New York Review, 216 pp., £12.99, May 2015, 978 1 59017 776 1
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... religious darkness, its democracy, its philosophical depth to rival Europe, and its fecundity’. He examines The Adventures of Augie March, The Crying of Lot 49 and Wise Blood, books ‘in which the new authority of unmarked, universal man could be borrowed and spread, and yet where its contradictions and gaps would come into relief’. His analysis of ...

Horror like Thunder

Germaine Greer: Lucy Hutchinson, 21 June 2001

Order and Disorder 
by Lucy Hutchinson, edited by David Norbrook.
Blackwell, 272 pp., £55, January 2001, 0 631 22061 5
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... Oxonienses, and Sidney Lee who follows Wood in the DNB, Order and Disorder is the work of Sir Allen Apsley (1616-83). The poem described by Lee as ‘rarely accessible’, now easily accessible in David Norbrook’s modern spelling edition, offers according to Norbrook ‘a particularly strong corrective to the conventional view that literature after 1660 ...

I just let him have his beer

Christopher Tayler: John Williams Made it Work, 19 December 2019

The Man who Wrote the Perfect Novel: John Williams, ‘Stoner’ and the Writing Life 
by Charles Shields.
Texas, 305 pp., £23.99, October 2018, 978 1 4773 1736 5
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Nothing but the Night 
by John Williams.
NYRB, 144 pp., $14.95, February 2019, 978 1 68137 307 2
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... keep in hard covers’. Five days later, Williams got a rejection letter from a university press he’d been trying to interest in a collection of his poems. The letter quoted a reader’s report: his imagery was ‘banal’, his philosophical musings ‘scarcely worthy of serious consideration’.Williams, who was 41 and in charge of a creative writing ...

Toots, they owned you

John Lahr: My Hollywood Fling, 15 June 2023

Hollywood: The Oral History 
edited by Jeanine Basinger and Sam Wasson.
Faber, 739 pp., £25, November 2022, 978 0 571 36694 1
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... to LA, I took my seat in the upstairs dining room opposite a Cincinnati salesman and his wife. He sold screws – really. Just as improbably, I had sold my first novel to the movies. The tablecloth, the silverware, the crystal wine glasses, the Chateaubriand being carved in front of us at five hundred miles an hour felt extraordinary, a swank unreality ...

I only want the OM

Christopher Tayler: Somerset Maugham, 1 September 2005

Somerset Maugham: A Life 
by Jeffrey Meyers.
Vintage, 411 pp., £12, April 2005, 1 4000 3052 8
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... narrator and stand-in – explain that, in reputation-building terms, ‘longevity is genius.’ He comes out with this idea while discussing the case of his friend Edward Driffield, a Hardy-like figure who becomes the Grand Old Man of English Letters after seeing off late Victorian accusations of impropriety. Ashenden, who finds most of Driffield’s novels ...

The Best Stuff

Ian Jack: David Astor, 2 June 2016

David Astor: A Life in Print 
by Jeremy Lewis.
Cape, 400 pp., £25, March 2016, 978 0 224 09090 2
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... I was an Observer reader as a schoolboy. On most Sundays in the year or two either side of 1960 he would take the bus six miles to our nearest town and return with a paper that augmented the Sunday Post – delivered to the door that morning by the village newsagent – and its claustrophobic worldview formed fifty years before in Presbyterian Dundee. Where ...

You better not tell me you forgot

Terry Castle: How to Spot Members of the Tribe, 27 September 2012

All We Know: Three Lives 
by Lisa Cohen.
Farrar Straus, 429 pp., £22.50, July 2012, 978 0 374 17649 5
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... Wilson continues to impress because even at his chattiest and most off-the-cuff (as here) he manages to flavour what he says with intellectual surprise: some quick sprinkle or soupçon of conceptual magic. Here it must be that arresting phrase, the right to play. Like Beaton, the Sitwells, Cole Porter, Nancy ...

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