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“... influence on the generations that followed. Following Osborne’s death in 1994, however, David Hare, among others, leaped to the playwright’s defence, in his memorial eulogy and a longer lecture first delivered in 2002 and repeated on the stage of the Royal Court on the 50th anniversary of Look Back in Anger’s opening. Now John Heilpern has taken ...”

“... In​ 1974, aged 71, having announced the end of a writing career that had produced nearly two hundred novels, and having retreated from a mansion with 11 servants to a small house in Lausanne where he lived with his second wife’s ex-maid, Georges Simenon dictated his Letter to My Mother, Henriette Simenon née Brüll, who had died four years earlier ...”

“... to her own not terribly tragic life. Early in her suggestive and elegantly written study of Noël Coward and Radclyffe Hall, Terry Castle admits that Hall’s ‘style is for the most part the antithesis of Coward’s – painfully discursive, polemical, almost entirely devoid of gaiety, archness or ambiguity’. Castle ...”

“... To judge from this biography, the Sinn Féin leader still has some way to go. According to David Sharrock and Mark Devenport, Adams is a ruthless, scheming hypocrite who talks peace in front of the cameras, but in private continues to plot death and misery. He speaks of ‘inclusion’ and publicly condemns sectarianism, but has boasted that he would ...”

“... and Canada there not being much to choose. Easter Monday. Watch two programmes on Noël Coward, wishing now I’d agreed to be interviewed for them. I’d said no on the grounds that my acquaintance with him was too slight, but Wesker appears whose connection was even slighter. I saw Coward first in New York in ...”

“... and subsequent conversations, but he describes how – eventually – a Manchester banker called David Holmes, who’d been best man at Thorpe’s first wedding as well as the Liberal Party’s deputy treasurer, met a South Wales carpet merchant who suggested approaching a Swansea gambling-machine manufacturer who might be able to put them in touch with ...”

“... Both David Cressy and Cynthia Herrup believe they are writing microhistory, a word coined by Italians, but used to describe above all the work of Natalie Zemon Davis (The Return of Martin Guerre, 1983) and Robert Darnton (The Great Cat Massacre, 1984). Microhistorians have turned to the verbatim records of interrogations kept in the law courts of early modern Europe (or at least those parts of Europe where Roman law procedures were followed) to reconstruct the detailed stories of individual trials ...”

“... My great new friend is Noël Coward’, Nancy Mitford confided to a correspondent in 1949. ‘Bliss. He shakes like a jelly at one’s jokes, I adore that.’ It was laughs Nancy Mitford wanted, much more than grandeur. She longs to make people laugh, and sometimes, almost in the manner of a nervous stand-up comedienne, interrupts her letters to make sure that the audience is suitably convulsed ...”

“... A recent Italian book on the films of David Lean is called Colour and Dust, and with an amplification or two the phrase offers a pretty good description of his later work. The colour is mainly orange, and a lot of the dust is sand, especially in Lawrence of Arabia (1962). More generally, of course, the phrase evokes the director of swirling epics, a sort of Cecil B ...”

“... in which he died on a makeshift altar; the brazenly Christ-like representation of his dead body by David; the renaming of Montmartre (Martyr’s Mount) as Montmarat; the chant of ‘cor de Jésus, cor de Marat’ as members of the Cordelier club carried his heart through the streets of Paris. What did this imitation really amount to? Did it simply express a ...”

“... be made use of in ways that are contextually effective, and surprisingly original. That is what David Piper contrived to do in a brilliant one-off war novel, Trial by Battle. It describes the experiences of a young officer, the reverse of professional, during the 1941 Malayan campaign between the British-Indian Army and the Japanese: the campaign which led ...”

“... us off with the diplomatic and historical background of Pushkin’s life. Feinstein also mentions David Magarshack’s biography respectfully for what was at the time – 1967 – its up-to-date research but reprovingly for its lack of notes and references. (In fact notes do often appear in Magarshack’s book, as parentheses in the text, and there is an ...”

“... Farquhar fits the bill completely. But actor-playwrights go back from Marber, Pinter, Osborne and Coward to Jonson and Shakespeare. And if you leave out the Irish (by birth or upbringing), you lose Congreve, Sheridan, Goldsmith, Wilde and Shaw. The source that gave London The Importance of Being Earnest and Arms and the Man a hundred years ago shows no signs ...”

“... has been published by Granada publishers to capitalise on the success of the series. The author is David Mitchell, a writer not previously known in this field. His mission was to incorporate, not only the material used in the television series, but the numerous other interviews which the producers could not use. Granada’s publicity team add the quite false ...”

“... Broken lines in ink mark Metroway on the left, climbed by Smiler Cuthbertson, Don Whillans, and D. Coward, and Regina Mater on the right, climbed by Ben and Marion Wintringham. Adrian has told us how he was hit by a falling block, which broke his arm. He had to be rescued from the Notch, the col between the massif and Devil’s Tower. Cuthbertson has ...”