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“... means something like ‘mediated by thought’. But plausible as that may seem, the thesis of Andy Clark’s new book, Supersizing the Mind, is that the mind v. world dualism is untenable. The best way through Clark’s book is to start by reading the foreword by David Chalmers and the ...”

“... in the summer of 1912, or is it a mad altarpiece of some sort, ‘an unholy polyptych’, as T.J. Clark calls it, with its wings unfolded as if ‘for Easter or Pentecost’, the ensemble crowned by The Poet, ‘raised high in place of the pantocrator’? And what should we make of this mixture of farce and metaphysics, a mixture raffishly recapitulated in ...”

“... by way of exhibitions and the publicity that accompanies them.Nearly half a century later, Kenneth Clark, writing to Eunice Frost at Penguin about the inclusion of Braque in the Modern Painters series, which had until then featured only British artists, said:The old scheme seemed to me valuable because it helped people to understand painters whose work they ...”

“... own domain, are turning into another sunset home. In this spirit one can commiserate with J.C.D. Clark, as editor of the volume of essays, Ideas and Politics in Modern Britain, which was clearly intended as a tract for the times and has ended up as a period piece. In the nature of things, the essays had to be written some time back – that by John Redwood ...”

“... in point of readability and excitement. The essays, mostly for the 17th century, edited by Peter Clark and David Souden are not all new work They include an important reprinted article on age-specific mobility in England by Roger Schofield, the well-known study of Cardington in the 1780s. They also include an article of ...”

“... John Reed’s sister, Cynthia. He married her in 1948. His reputation began to flourish. Kenneth Clark was struck by one of his paintings in a group exhibition and suggested he would do well in England. It was good advice, and Nolan became an established artist in Europe. His working life became a series of journeys, sometimes back to Australia, but also to ...”

“... frontiers in the making of nations. If Henry of Northumbria had not predeceased his father, King David I of Scotland, in 1152, Britain might have been divided at the Humber into two more equally sized political units, the kingdom of Greater Scotland (incorporating northern England) and the kingdom of Little England (made up of the midlands and south). Not ...”

“... me – as if I needed reminding – that real life is the poor, lost cousin of pretence. Marcia Clark, the lead prosecutor in the Simpson case, is a shy person in life, studious, you might say. She did, it’s true, make some mistakes in presenting the case. But the main issue seems to be her hair. (The series producer, Ryan Murphy, is the magician who ...”

“... to change the form of words slightly, seem to me pictures of Jerusalem, Toledo and Andalusia by David Bomberg. (It is no doubt hard to look past subsequent history and accept Bomberg’s Zionism for the strange thing it was, but paintings like his Pool of Hezekiah and Rooftops, Jerusalem are as close to Corot in Italy or Seurat at Gravelines as anyone since ...”

“... disappointments and, less often, consolations. Even during what his friend K (the late Lord Clark) describes in the foreword as ‘the abominable intrigue which forced him to leave his beloved British Museum’, he scrupulously avoids self-pity. But self-satisfaction and self-righteousness were certainly not purged by keeping the journal. His ...”

“... He is right about that. They would also notice some strange inclusions: for example, essays on David Frost, Kenneth Clark, Tom Wolfe and Germaine Greer – Sixties figures to a man. Booker’s earlier book, The Neophiliacs, he tells us, was ‘a detailed, analytical account of the astonishing changes which had come over ...”

“... of his collection that Greenberg didn’t miss the art he sold, but surely he winced as works by David Smith, Jackson Pollock or Morris Louis went out the door.* His enthusiasm for these artists, particularly Noland and Louis, undercuts the common misperception that he saw purity and flatness as modern art’s defining achievement. Greenberg came to distance ...”

“... Army had to run in double harness with an American army – Patton’s Seventh in Sicily, Clark’s Fifth in Italy. Monty reckoned that these colleagues had much to learn about war and that he was the best person to teach it. It was not surprising that they saw matters differently. Increasingly, Monty’s consciousness of being the sole repository of ...”

“... I enjoyed rather more than did your contributor, Janet Watts (LRB, 8 December 1988), Kenneth Clark published a contribution to art history called The Nude. A disgruntled friend of mine opined that if the author had any integrity, he’d have started off his opus: ‘Wankers, ahoy!’ (Oh, the jaunty irreverence of those days of intellectual ferment, and ...”

“... the style of an art historian or critic and that of his or her favourite artist. Reading Tim Clark on Courbet, it is easy to see the reasons why the writer chose his subject: iconoclasm, a bold and aggressive rejection of stylistic precedence and traditional modes of expression are common to both. In the case of Robert Hughes, author of the monumental ...”