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“... is, above all, impatient and therefore irreverent. And it is certainly to be heard at times in Browning, as in Charles Kingsley, where Gerard Manley Hopkins heard it and characterised it unforgivingly but vividly when he envisaged a man starting up from the breakfast table, his mouth full of bacon and eggs, declaring that he will stand no damn’d ...”

“... novel’. And so with individual writers and artists. He deplores ‘the shallow vulgarity of Browning’; meets Walter de la Mare but records, ‘we had little to say’; judges Robert Graves to be an Ass; declares it ‘possible to dislike Eliot with some intensity’; refers to ‘greasy Epstein’, and to his admirer W.H. Auden as belonging ...”

“... differently-minded critics to want to shut their ears to the poets’ words about it. If Byron and Browning (on whom Lennard is acutely provocative) were reachable by ouija board, it would be perverse of us to refuse to hear whether they would assent to an interpretation of their work – with oui and ja (the etymology after all) – or whether we should find ...”

“... has gone unheeded, for he is back again, almost as good as new, in a parallel-text translation by Christopher Pilling. These translations are a labour of love: heroically complete, decorously literal and slightly awkward. So much depends, in Corbière, on a recklessness that expresses itself in the twisting and hammering of poetic form. Among recent ...”

“... and ‘Evidence in the Eliot Case’ (1996) – this last featuring a notably unkind commentary on Christopher Ricks’s editing of Eliot’s Inventions of the March Hare: Poems 1909-17. In the new book, as in these essays, Raine assumes that his readers are likely to be ‘somewhat impure and apt to confuse issues’. It is my impression that he remained ...”

“... it makes on the listener. It is literary criticism ‘to the moment’. Like his PhD supervisor, Christopher Ricks, Griffiths is above all an apostle of close reading. He treats the passages he discusses as morally and psychologically instructive as well as semantically subtle. He attends to small details of syntax or diction, but he is also concerned with ...”

“... fallible. For instance, he insisted on modernising spelling and punctuation; but why modernise Browning, and why meddle with Marvell’s punctuation, which is important to his rhetoric and contributes to his ambiguity? Most important still, Bateson hoped his editors could work on a received text, but now, editorial standards being higher, they feel obliged ...”

“... and art historian – it is as a sympathetic critic of some of the quieter poets (Clare, Barnes, Christopher Smart) and an acrid critic of many others, including most of his contemporaries, that Grigson is first thought of. Not Mr Grigson the poet, his eye in a fine frenzy rolling, but Mr Grigson the critic, his eye beadily turned on pretension, inflation ...”

“... continue until the last person who remembers it has expired. Of William Wordsworth’s desertion, Browning wrote that he did it ‘just for a handful of silver’ and ‘just for a ribbon to stick in his coat’. That was probably unfair to Wordsworth and would be quite inadequate as a condemnation or explanation of Chambers. Of his own renunciation, Chambers ...”

“... Lear-and-Thurber-derived drawings, or a serious and in many ways profound literary artist. Christopher Ricks wrote: ‘The first question to ask about the poems of Stevie Smith is, can she possibly be as ingenuous as she sounds?’ Towards the end of this essay, having demonstrated with his usual prestidigitation and allusiveness Stevie Smith’s own ...”

“... has dark and light meat, why sauces thicken, why pastry dough needs to rest, why bread rises, what browning does to foods, and countless other alchemical aspects of the kitchen. Possibly because his training straddles two disciplines, McGee is quite prepared to admit, on occasion, the nescience of science. Apparently we still have only a sketchy idea of how ...”

“... Which else would have been passed by! because it is too busy trying to see urinals as mosques. Christopher Hope’s poem Englishmen has the advantage of a subject other than the inside of the poet’s own head. Hogge, Owen, Mrs Oribi and Mr Silvero represent aspects of English settler life in South Africa. The first two are ‘mysterious bureaucrats’ and ...”

“... man. What we know of his frustrations, fantasies and fears we know from his stories. Dracula, Christopher Frayling writes in his preface to the Penguin edition, ‘was probably transgressing something – but the critics weren’t quite sure exactly what’. The author probably wasn’t sure either. All Stoker seems to have wanted to do was to write a ...”

“... these prodigious gatherings, the poetry looks svelte. Yet the 2015 Faber edition of the Poems by Christopher Ricks and Jim McCue itself runs to nearly two thousand densely annotated pages. This, too, is a breathtaking achievement. Very few people will read through all these thousands of pages, and their publication risks making Eliot seem more daunting than ...”

“... verse in Middle English, Latin, Old French and Old English as well as the language of Robert Browning (‘Oh, to be in England’), Linton Kwesi Johnson (‘Inglan is a Bitch’) and T.S. Eliot (‘History is now and England’). I had got as far as setting out the rationale for such a book in a lecture at the British Academy when the Penguin and Oxford ...”