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“... In Antony,​ the southern suburb of Paris where Louise Bourgeois spent her childhood, the river water had special properties. The Bièvre, which ran past the Bourgeois home, was thick with tannin, an important ingredient for the family’s tapestry restoration business: wool washed in this water is more receptive to dyeing agents – colours set fast and don’t fade ...”

“... This involves making a solid model, usually of wax or wax-finished but sometimes of stone or wood, which is transformed by means of a dialogue of positive and negative images (after each of which modifications can be made and errors corrected) into a hollow wax model with walls just 3 mm or so thick; the wax is melted and drained and replaced with molten ...”

“... Notebook, is mainly a series of wonderful anachronistic jokes, as when he recalls the character in Antony and Cleopatra (Scarus), who says just before the battle for Alexandria that he has ‘yet room for six scotches more’. The OED gives ‘incision, cut, score or gash’ as the first meaning for ‘scotch’, and cites this passage. Powell also notes that ...”

“... of the modelling and surely cannot be original (moreover, I suspect that, in addition to wax and wood, textile was employed). The gold may explain the survival: it transformed a painter’s model into a work of miniature sculpture attractive to the collector. After his return to Florence in 1510 Sansovino was commissioned to carve a half life-size marble ...”

“... particularly well. The first is related by Cavendish himself and by four men who sailed with him, Antony Knivet, a young gentleman volunteer; John Davis, the great navigator; J. Jane, a friend of Davis’s; and Thomas Lodge the poet. Thomas Cavendish was a man of considerable estate but varying fortunes, and like many of his contemporaries he took to the sea ...”

“... on their black body-stockings. He can remark that Piero drew well from life, that he painted St Antony wearing spectacles and reading an excellently represented parchment book, that he displayed to perfection the art of colouring in oils. Vasari was clearly aware that biographical information, gossip indeed, was seductive; as to technique, it was enough to ...”

“... he scripted scenes in which Hymen personally ratifies the ending of a comedy, or Hercules abandons Antony, or Jupiter descends on an eagle. The first published review of his work, in Greene’s Groatsworth of Wit (1592), depicts Shakespeare as Aesop’s vain corvid posing as a peacock, calling him an ‘upstart crow, beautified with our feathers’. Using the ...”

“... and the Ninth Symphony, can probably only be equalled by Shakespeare’s 1606 (Lear, Macbeth, Antony and Cleopatra). He carried notebooks with him on his walks in Vienna and the countryside, stopping in the middle of a city street to record an idea. Bonds tells us that these notebooks contain sketches for as many as fifty symphonies.One woman said that ...”

“... he was cautious to the last – have the sense of ‘being able to do what angels can’. James Wood writes: I have good reason to remember Frank Kermode’s collection of essays The Art of Telling, because it was the first book I ever stole. Between the ages of 16 and 18 I lifted more than a few books from shops. Resources were very slight, and the hunger ...”

“... Clare, distracted by agricultural enclosures, was lodged. But it was the launcher site in Oxleas Wood, where locals had fought hard (and successfully) against motorway incursions, that I wanted to inspect. Leaning on his stick, Steve was waiting at North Greenwich station, which is not in North Greenwich, but an adjunct to the O2 Arena, a fancy serving hatch ...”

“... gentleman for sundry injurious acts done by him’ and behaved in exactly the same way, or that Antony doesn’t care for Cleopatra, probably tells her to trust Proculeius at the end because he knows Proculeius will betray her, and uses Egypt’s queen only as a convenient excuse behind which to conceal ‘his spirit’s terror of Caesar’. It seems that ...”

“... and resourceful, Gordon has interviewed many witnesses, and had the cooperation of Maurice Haigh-Wood, Vivien’s brother; she draws on Vivien’s diaries in the Bodleian, the copyright of which, as we learn from the Letters, belongs to Eliot’s widow. And, familiar with virtually all the archives, she has read a great many of the letters. Her ...”

“... Even the backgrounds are classed. Seated Woman in Blue seems to have strayed into a fairytale wood (maybe the forms on the left are rocks in an abandoned quarry Cézanne was fond of). The big bad wolf is not far away. It is in general a special moment to be looking at Cézanne’s portraits, because after a century and more it becomes clear that the ...”

“... story happened, 23 Gloucester Crescent in Camden Town, is currently lived in by the photographer Antony Crolla though many of my belongings are still there. This afternoon I go round to start the lengthy process of clearing out some of the books and papers so that it can be used for the filming.I first saw the house in 1968. Jonathan Miller lives in the same ...”

“... for this high office. The short answer is that he had made a great impression with The Sacred Wood and The Waste Land, and had achieved a small but choice audience as editor of the Criterion. The newly established English Faculty at Cambridge, and especially I.A. Richards, had taken him up, and Middleton Murry, his predecessor in the lectureship and still ...”