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At Victoria Miro

Peter Campbell: William Eggleston, 25 February 2010

... about how pictures should be made are often driven by a sense that they are constructed, and even read, layer by layer, stage by stage. It was an analysis that raised questions like ‘Is correct drawing or true colour of the essence?’ When Post-Impressionist painters abandoned the underlying tonal structure, they flattened the implied (sometimes ...

At the National Gallery of Scotland

Peter Campbell: Joan Eardley, 13 December 2007

... comparisons: Ivon Hitchens painted landscapes in which flowing patterns of colour can still be read as trees and water; de Kooning in America made pictures in which the bones of an unseen landscape seem to direct the reading of a field of abstract marks. But such mapping of similarity and influence shows little more than that Eardley’s way of drawing and ...

At the Barbican

Peter Campbell: Alvar Aalto, 22 March 2007

... and the built-in cupboards. He worked out how light would fall on the pages of a book being read in bed. The sunloungers which line the terrace overlooking the forest in an early photograph are no longer filled with consumptives – Paimio is now a general hospital – but one still reads its history in its configuration. I wish someone would film The ...

At the Royal Academy

Peter Campbell: Palladio, 12 February 2009

... various hands, in particular Lord Burlington’s. Nearly all are plans and elevations, so to read them you must extract three-dimensional reality from two-dimensional projections. You can test your interpretive abilities by turning to the handsome modern models, in unpainted beech and limewood, which first came to London in 1975, when they were included ...

At the British Museum

Peter Campbell: Moctezuma, 5 November 2009

... and must be propitiated. A tribute list from the Codex Mendoza The catalogue is not easy to read: a picture of the early history and late collapse of Mexica society must be extracted from overlapping contributions that draw on different disciplines, and one’s inexperienced tongue stutters over the names of the Mexica Gods: Coyolxauhqui, the moon ...

At the British Library

Peter Campbell: Great Nations of Europe Coming Through, 27 June 2002

Trading Places: The East India Company and Asia 1600-1834 
by Anthony Farrington.
British Library, 128 pp., £17.95, May 2002, 0 7123 4756 9
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... in this Mughal miniature between Warren Hastings and his servant c.1782 – it is hard not to read a hint of a joke in the oddly large proportion of Hastings’s head to his body – reminds me of what a guide, at the end of a cultural tour of China, said to a friend who pressed her about what she really thought of the Westerners she had been ...

About to be at Tate Britain, or Meanwhile in Cork Street

Peter Campbell: Gwen and Augustus John, 7 October 2004

... took part in the search for and design of the clothes – tight bodices and long skirts – which read in the drawings neither as fancy dress nor quite as of their own time (the John household must, to the eye at least, have been more Pre-Raphaelite than modern). In Gwen’s portraits of Dorelia, the active poses her brother chose, in which hands are raised ...

Character Building

Peter Campbell, 9 June 1994

Black Riders: The Visible Language of Modernity 
by Jerome McGann.
Princeton, 196 pp., £25, July 1993, 0 691 06985 9
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Letters from the People 
by Lee Friedlander.
Cape, 96 pp., £75, August 1993, 9780224032957
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Margins and Marginality 
by Evelyn Tribble.
Virginia, 194 pp., $35, December 1993, 0 8139 1472 8
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... Pound and Yeats. The Kelmscott Chaucer and Modernist poetry, the argument goes, are both hard to read because they are intentionally opaque. The second claim is that the links are not coincidental, and that the achievement of the latter was, in important ways, made possible by the former. Heraldic words, words as patterns, have a long history. Inscriptions ...

Why Do the Tories Always Have the Luck?

Peter Clarke, 23 February 1995

Conservative Century: The Conservative Party since 1900 
edited by Anthony Seldon and Stuart Ball.
Oxford, 842 pp., £20, October 1994, 0 19 820238 5
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... designed to exert checks and balances, the same aim has been pursued by different methods. Peter Catterall offers a nicely-judged account of the influence of religion, suggesting that the breakdown in the Conservatives’ traditionally cosy relationship with the Church of England has been exaggerated. Indeed, in his revisionist conclusion, he ...

The Exotic West

Peter Burke, 6 February 1986

The Memory Palace of Matteo Ricci 
by Jonathan Spence.
Faber, 350 pp., £15, April 1985, 0 571 13239 1
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Chine et Christianisme: Action et Réaction 
by Jacques Gernet.
Gallimard, 342 pp., frs 154, May 1982, 2 07 026366 5
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... The Ink Garden. The engravings – four exotic Western flowers in a Chinese garden – portray St Peter in the Waves; the road to Emmaus; the men of Sodom; and the Virgin and Child. The memory images comprise two warriors fighting; a Muslim woman from the west of China; a farmer, sickle in hand; and a maidservant who, like the Virgin, carries a child. The ...

Diary

Peter Craven: On the Demidenko Affair, 16 November 1995

... Franklin Award. It was a decision that bewildered those few members of the literary world who had read the book, and which had the far more important effect of commanding the attention of a nation that takes its big books seriously. The upshot was that a significant group of literate, but not professionally literary, people found themselves reading this ...

Diary

Peter Parsons: Rooting around Oxyrhyncus, 4 June 2015

... Homer and Hesiod and tragedy – and chooses The Art of Cookery. Two millennia on, we can still read Homer and Hesiod and a selection of tragedies, because these authors remained set books in schools, and as set books they were copied and recopied through the Middle Ages. But the cookbooks disappeared for ever, along with a mass of lighter literature: the ...

Escaped from the Lab

Robert Crawford: Peter Redgrove, 21 June 2012

A Lucid Dreamer: The Life of Peter Redgrove 
by Neil Roberts.
Cape, 341 pp., £30, January 2012, 978 0 224 09029 2
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Collected Poems 
by Peter Redgrove, edited by Neil Roberts.
Cape, 496 pp., £25, January 2012, 978 0 224 09027 8
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... Peter Redgrove had a secret. It was called ‘the Game’. Sexual in nature, this obsessive ritual ignited some of his most arresting poetry, and was vital to his personal mythology for sixty years. Known only to his lovers and a few in his inner circle, the Game has now been made public in Neil Roberts’s remarkable biography of the poet, published almost a decade after Redgrove’s death, along with a new Collected Poems ...

Carnival Time

Peter Craven, 18 February 1988

The Remake 
by Clive James.
Cape, 223 pp., £10.95, October 1987, 0 224 02515 5
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In the Land of Oz 
by Howard Jacobson.
Hamish Hamilton, 380 pp., £12.95, September 1987, 0 241 12110 8
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... sits in piles In the kind of bookshop where remaindering occurs. Of course there are sage heads (Peter Porter’s, for instance) who will defend James’s serious verse-making as poised and Larkinesque. He is also (when he confines himself to what he knows) a fine literary critic. As a critic, James not only has his charm, he burns very ...

Façades

Peter Burke, 19 November 1981

The Building of Renaissance Florence: An Economic and Social History 
by Richard Goldthwaite.
Johns Hopkins, 459 pp., £16.50, April 1981, 0 8018 2342 0
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Public Life in Renaissance Florence 
by Richard Trexler.
Academic Press, 591 pp., £29.80, March 1981, 0 12 699550 8
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Civic Ritual in Renaissance Venice 
by Edward Muir.
Princeton, 356 pp., £10.80, August 1981, 0 691 05325 1
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Venice: The Greatness and the Fall 
by John Julius Norwich.
Allen Lane, 400 pp., £12, September 1981, 0 7139 1409 2
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Ruskin and Venice 
edited by Jeanne Clegg.
Junction, 233 pp., £10.50, September 1981, 0 86245 019 5
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The Stones of Venice 
by John Ruskin and Jan Morris.
Faber, 239 pp., £12.50, September 1981, 0 571 11815 1
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... messages, in particular. He makes it clear that the Florentine man in the piazza was competent to read ritual, to assess how far a cap was raised in salute, how far the Florentine government went to meet a particular visitor, how far away from the tribune in front of the Palazzo della Signoria the visitor dismounted – and would draw political conclusions ...

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