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“... but a guy liked to have good hair. Then some magic descended on him, and the magician was John Huston, who wrote the script for High Sierra (1941). It’s the story of a veteran gangster, Roy Earle, who wants peace and a new life. But as he comes out of prison, the girl he likes dumps him and he’s on the hook for one more job. Huston saw him ...”

“... was done with a nurse’s blue pencil on the flyleaf of a volume of The Works of Robert Louis Stevenson.‘These drawings were presented to me by a very ill man,’ the catalogue entry read, quoting Edward Adamson, the art therapist who first encountered J.J. Beegan in 1946. By the time they met, Adamson explained, Beegan ‘had been in a locked ward in ...”

“... Between​ the wars, the journalist Richard Usborne recalled in 1953, there was a feeling that John Buchan was good for you. ‘If not exactly the author set for homework, Buchan was certainly strongly recommended to the schoolboy by parent, uncle, guardian, pastor and master,’ he wrote in Clubland Heroes, a study of the thrillers he had enjoyed as a child ...”

“... hour-glasses, maps, 17th-century typography, etymologies, the taste of coffee and the prose of Stevenson; the other man shares those preferences, but in a boastful way which converts them into the attributes of an actor ... Years ago I tried to free myself from him and moved from mythologies of the slums to games with time and infinity, but those games ...”

“... resistance’ in order to preserve Jim Crow, and that many national leaders, including Adlai Stevenson, the Democratic candidate for president in 1952 and 1956, and President Eisenhower himself, bought into Southern arguments that segregation had existed from time immemorial and would prove impossible to uproot. Woodward presented a counter-history, a ...”

“... volume contained work by eight poets: Robert Conquest, D.J. Enright, Kingsley Amis, Donald Davie, John Holloway, Elizabeth Jennings, Philip Larkin and John Wain, to which list Conquest’s volume added the name of Thom Gunn. Insofar as there has ever been agreement on the matter, the Movement has been taken to consist of ...”

“... William Morris wallpaper, Arts and Crafts furniture; a library of Victorian and Edwardian fiction, Stevenson, Meredith, Wells, Conrad, W. Pett Ridge. Moorcock, with his sacred cats in a basket, brings up a map of London on his screen, shifting and rearranging co-ordinates until the city conforms to his reading of it. No longer able to potter out into Notting ...”

“... writers of the time: one thinks of Stendhal, Balzac, Flaubert, Tolstoy and Robert Louis Stevenson. Every single great idea that fuelled the driving force of the 19th century – freedom, human greatness, compassion, but also the subcurrents of history uncovered by contemporaries, such as the libido, the unconscious and the uncanny – can be traced ...”

“... As John Berryman​ tells it, in a Paris Review interview conducted in 1970, he was walking to a bar in Minneapolis one evening in the mid-1950s with his second wife, Anne, the two of them joking back and forth, when Berryman volunteered that he ‘hated the name Mabel more than any other female name’. Anne decided Henry was the name she found ‘unbearable ...”

“... omitted much that is interesting and revealing, but the omission of Bishop’s letters to Anne Stevenson, who wrote the first book about her work, seems odd. These letters, packed with insight and wonderful phrases, are quoted in Brett Millier’s biography, in David Kalstone’s Becoming a Poet and in Lorrie Goldensohn’s Elizabeth Bishop: The Biography ...”

“... mostly American group made up by herself, Walter Berry, Howard Sturgis, Morton Fullerton, John Hugh Smith, Percy Lubbock and a few other initiates. She emphasises the man’s ‘quality of fun’, and her James is ‘the laughing, chaffing, jubilant yet malicious James’, not ‘the grave personage known to less intimate eyes’. Like the letters of ...”

“... for instance, Burns Singer, one of the most original poets of the Fifties, or David Wright and John Heath-Stubbs. All three were friends of Graham, and their inclusion might have helped the Forties and Fifties out of their New Apocalypse v. Movement stand-off. Hamish Henderson, whose 1948 Elegies for the Dead in Cyrenaica (reprinted by Polygon in ...”

“... a weapon Nixon later made his own, while LBJ wiretapped not merely Nixon’s campaign manager, John Mitchell, but Nixon and his running mate, Agnew, too. More blame is laid off on bad advisers, especially Mitchell: ‘by encouraging the macho side of Nixon he created an atmosphere in which bad judgments were too easily made. Nixon the hater; Nixon the ...”

“... Was Hugh MacDiarmid a great poet? Was he, as John MacQueen asserts in his Foreword to Catherine Kerrigan’s study, one of ‘the three greatest poets to use English in the 20th century’, the other two being Yeats and Eliot? One can understand MacQueen putting the matter that way, but perhaps it is not the most helpful way when the reputations of Eliot and Yeats are shaking down, in the ordinary process of time, following their immense acclaim ...”

“... is not merely a mirror of nostalgia. It is also a useful tool with which to work in the present. John Fowles begins Daniel Martin with the words: ‘Whole sight: or all the rest is desolation.’ But human beings do not perceive things whole; we are not gods but wounded creatures, cracked lenses, capable only of fractured perceptions. Partial beings, in all ...”