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Ian Sansom, 11 December 1997

The Bounty 
by Derek Walcott.
Faber, 78 pp., £14.99, July 1997, 0 571 19130 4
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... winds of ‘All creatures of our God and King’. The negative, as Eliot has it in his essay on Dante in The Sacred Wood, ‘is the more importunate’. Which perhaps explains why Walcott’s poetry remains a challenge to taste: either his work is too rich, or our palettes are too ...

Hven’s Gate

J.L. Heilbron: Tycho Brahe, 2 November 2000

On Tycho’s Island: Tycho Brahe and His Assistants, 1570-1601 
by John Robert Christianson.
Cambridge, 451 pp., £30, March 2000, 9780521650816
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... How the Danish nobleman Brahe or, rather, Tycho – his fame was so great in his time that, like Dante and Galileo, he is known in ours by his first name – came to expire of a burst bladder in Prague is explained, along with much else, by John Robert Christianson. The centre of gravity of Tycho’s Island is Danish social history: in irresistible ...

Loot, Looter, Looted

Peter Howarth: John Haynes, 3 January 2008

Letter to Patience 
by John Haynes.
Seren, 79 pp., £7.99, April 2006, 1 85411 412 3
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... of responsibility, putting the slightest link on a par with the most obvious crime. And where Dante used this verse scheme’s endlessness for his voyage into the eternal, here, as the next verse is generated in the middle of the previous one for an unbroken 58 pages, the terza rima works to underline colonialism’s unstoppable chain of ...

Remember Me

John Bossy: Hamlet, 24 May 2001

Hamlet in Purgatory 
by Stephen Greenblatt.
Princeton, 322 pp., £19.95, May 2001, 0 691 05873 3
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... in the alternative allegation that it was a ‘poet’s fable’. This is not a reference to Dante, who does not appear in the controversy, but to the generally fabulous character it shares with much other pre-Reformation religion. There follows, naturally, a chapter on the multiplicity of purgatorial images and stories of the same ...

More Noodling, Please

Jessica Olin: ‘The Bystander’s Scrapbook’, 4 April 2002

The Bystander's Scrapbook 
by Joseph Torra.
Weidenfeld, 186 pp., £7.99, November 2001, 0 575 06767 5
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... through democracy: Gregorio has lost faith in activism. One night, at a meeting of Carol’s Dante reading group, Gregorio meets Vin, a dishevelled, computer-savvy fiftysomething who secretly houses the country’s largest anarchist archive. Vin claims never to have paid income tax and has a series of fake IDs that allow him access to the libraries of ...

Bebop

Andrew O’Hagan, 5 October 1995

Jack Kerouac: Selected Letters 1940-56 
edited by Ann Charters.
Viking, 629 pp., £25, August 1995, 0 670 84952 9
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... the (then) new Columbia library. It said ‘Goethe ... Voltaire ... Shakespeare ... Molière ... Dante ...’ And sure enough, just as you’d feared, Jean-Louis Lebris de Kerouac, that little football scholarship guy from Lowell, Massachusetts, had wanted his name on the wall too. Yes he did. A few years after his appearance on the Steve Allen ...

Gnawed by rats, burnt at Oxford

Claire Tomalin, 10 October 1991

G.H. Lewes: A Life 
by Rosemary Ashton.
Oxford, 369 pp., £25, September 1991, 0 19 812827 4
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... complexion. Her father, Swynfen Jervis, was a country gentleman, a Radical MP and scholar; both Dante Gabriel and Christina Rossetti knew the family, where their father had also been a tutor. Agnes was the eldest child; she lost her mother young and had two stepmothers. Rossetti, a boy of 12 when he knew her, admired her looks and her good nature; she was ...

Diary

Ann Geneva: Celestial Lunacy, 26 November 1987

... of astrological discourse. It is a world perhaps more recognisable to us than those of Aquinas, Dante and Kepler, despite modern reverence for their achievements and disciplines. On more than one occasion in Duke Humfrey’s Library in Oxford I have lifted my eyes from an immersion in astrological casebook and manuscripts to experience a jolt as I reenter ...

Lucchesi: His Life in Art

Frank Lentricchia: Four Fictions, 12 November 1998

... with each other,’ and The Tenor replies, ‘It is always the way when we love an artist. We say Dante. We say Michelangelo. We say Elvis.’ Startled, Lucchesi says, ‘You’ve read me, too?!’ The artistic director, in full tumescence now, trots out front to announce the replacement for the Tenor. The Tenor says, ‘Why not? The fetching flight attendant ...

Everything is susceptible

Douglas Dunn, 20 March 1980

Poems 1962-1978 
by Derek Mahon.
Oxford, 117 pp., £5.75, November 1979, 0 19 211898 6
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The Echo Gate 
by Michael Longley.
Secker, 53 pp., £3, November 1979, 0 436 25680 0
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Poets from the North of Ireland 
edited by Frank Ormsby.
Blackstaff, 232 pp., £6.50, October 1979, 9780856402012
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... where Heaney is consonantal, guttural and purposefully rough. Heaney’s recent excursion into Dante was unexpected, but it is no surprise to find that Mahon’s new poem ‘The Poet in Residence’ (he was resident poet at the New University of Ulster for a couple of years) is a version of Corbière’s ‘Le Poète Contumace’. Fascination with High ...

Clean Poetry

John Bayley, 18 August 1983

Collected Poems 1970-1983 
by Donald Davie.
Carcanet, 172 pp., £5.95, May 1983, 0 85635 462 7
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... the poetic art and ‘in the small/Rooms of stanzas’. That phrase comes from ‘Mandelstam, on Dante’, a poem in four parts, in which one poet imagines another writing poems about a third. Rhyme, you once said, only   Points it up, tags it, the blue Cabinet-making of Heaven   And Earth, the elegant joints All of them flush as given! ‘The Stopping ...

Errata

Christopher Ricks, 2 December 1982

T.S. Eliot: The Critical Heritage 
edited by Michael Grant.
Routledge, 408 pp., £25, July 1982, 0 7100 9226 1
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... generation (like Moses on Pisgah) or the life in heaven which is to be obtained after death (like Dante). One might at first think the second only was meant, but Marina, after all, was a real daughter; is now at sea, like himself, rather than already in the Promised Land; and is to live ‘in a world of time beyond me’, which can scarcely be a description ...

Out of the Lock-Up

Michael Wood: Wallace Stevens, 2 April 1998

Collected Poetry and Prose 
by Wallace Stevens, edited by Frank Kermode and Joan Richardson.
Library of America, 1032 pp., $35, October 1997, 1 883011 45 0
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... didn’t have this trust in the other side of reason. It’s as if Lewis Carroll rather than, say, Dante were the measure of the world we have lost – the mood seems later because it is less nostalgic. The modern interest in the imagination, Stevens said, ‘is to be regarded not as a phase of humanism but as a vital self-assertion in a world in which nothing ...

Sly Digs

Frank Kermode: E.M. Forster as Critic, 25 September 2008

‘The Creator as Critic’ and Other Writings 
by E.M. Forster, edited by Jeffrey Heath.
Dundurn, 814 pp., £45, March 2008, 978 1 55002 522 4
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... Butler ‘did more than either of the other two to help me look at life the way I do’. He named Dante, Gibbon and Tolstoy the greatest of writers and repeatedly expressed his love for War and Peace. He also spoke with reverence of Dostoevsky, on whom he comments with real fervour. More generally, he spoke of three generations of significant novelists, the ...

Down the Telescope

Nicholas Penny: The Art of Imitation, 24 January 2019

Modern Painters, Old Masters: The Art of Imitation from the Pre-Raphaelites to the First World War 
by Elizabeth Prettejohn.
Yale, 286 pp., £45, June 2017, 978 0 300 22275 3
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... of that art. The paradox of the Pre-Raphaelites is that they turned for inspiration to Dante and to the daguerreotype – to influences more ancient and more modern than anything afforded by the orthodox artistic training of their time. Modern technology also suggested new shapes. Photographs, when framed or mounted, usually had curved corners, or ...

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