MacDiarmid’s Sticks
C.H. Sisson, 5 April 1984
Whaur Extremes Meet: The Poetry of Hugh MacDiarmid 1920-1934
by Catherine Kerrigan.
James Thin, 245 pp., £12.50, June 1983,0 901824 69 0 Show More
by Catherine Kerrigan.
James Thin, 245 pp., £12.50, June 1983,
Elemental Things: The Poetry of Hugh MacDiarmid
by Harvey Oxenhorn.
Edinburgh, 215 pp., £15, March 1984,0 85224 475 4 Show More
by Harvey Oxenhorn.
Edinburgh, 215 pp., £15, March 1984,
Aesthetics in Scotland
by Hugh MacDiarmid and Alan Bold.
Mainstream, 100 pp., £6.95, February 1984,0 906391 60 1 Show More
by Hugh MacDiarmid and Alan Bold.
Mainstream, 100 pp., £6.95, February 1984,
Annals of the Five Senses
by Hugh MacDiarmid and Alan Bold.
Polygon, 161 pp., £6.50, July 1983,0 904919 74 9 Show More
by Hugh MacDiarmid and Alan Bold.
Polygon, 161 pp., £6.50, July 1983,
Hugh MacDiarmid: The Terrible Crystal
by Alan Bold.
Routledge, 251 pp., £9.95, August 1983,0 7100 9493 0 Show More
by Alan Bold.
Routledge, 251 pp., £9.95, August 1983,
Hugh MacDiarmid (C.M. Grieve)
by Kenneth Buthlay.
Scottish Academic Press, 143 pp., £3.25, September 1982,0 7073 0307 9 Show More
by Kenneth Buthlay.
Scottish Academic Press, 143 pp., £3.25, September 1982,
The Thistle Rises: An Anthology of Poetry and Prose by Hugh MacDiarmid
edited by Alan Bold.
Hamish Hamilton, 463 pp., £12.95, February 1984,0 241 11171 4 Show More
edited by Alan Bold.
Hamish Hamilton, 463 pp., £12.95, February 1984,
A Scottish Poetry Book
by Alan Bold, Bob Dewar, Iain McIntosh and Rodger McPhail.
Oxford, 128 pp., £4.95, July 1983,0 19 916029 5 Show More
by Alan Bold, Bob Dewar, Iain McIntosh and Rodger McPhail.
Oxford, 128 pp., £4.95, July 1983,
Edinburgh and the Borders in Verse
by Allan Massie.
Secker, 97 pp., £5.95, August 1983,0 436 27348 9 Show More
by Allan Massie.
Secker, 97 pp., £5.95, August 1983,
“... been, to say nothing of many a lesser figure. In what might be called the peripheral stakes Dylan Thomas and even David Jones have had more attention in some quarters – in the case of Dylan Thomas, with a wild publicity which has had little enough to do with his work. MacDiarmid, it is ... ”