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Denis Arnold, 19 September 1985
Interpreting Bach’s ‘Well-Tempered Clavier’: A Performer’s Discourse of Method
by Ralph Kirkpatrick.
Yale, 132 pp., £14.95, January 1985,0 300 03058 4 Show More
by Ralph Kirkpatrick.
Yale, 132 pp., £14.95, January 1985,
Bach, Handel, Scarlatti: Tercentenary Essays
edited by Peter Williams.
Cambridge, 363 pp., £27.50, April 1985,0 521 25217 2 Show More
edited by Peter Williams.
Cambridge, 363 pp., £27.50, April 1985,
Handel: The Man and his Music
by Jonathan Keates.
Gollancz, 346 pp., £12.95, February 1985,0 575 03573 0 Show More
by Jonathan Keates.
Gollancz, 346 pp., £12.95, February 1985,
Sensibility and English Song: Critical Studies of the Early 20th Century: Vols I and II
by Stephen Banfield.
Cambridge, 619 pp., £27.50, April 1985,0 521 23085 3 Show More
by Stephen Banfield.
Cambridge, 619 pp., £27.50, April 1985,
“... and hands move – this book shows it. The section on Bach in the set of essays edited by Peter Williams mainly deals with matters of performance in a more conventional way. The most interesting of the essays is by the editor himself, on ‘Figurae in the Keyboard Works of Scarlatti, Handel and Bach’. The problem is that in the 18th century composers were ... ”