Diary
Iain Sinclair: The Plutocrat Tour, 7 July 2022
“... of Orson Welles in Touch of Evil. Southmere Lakeside and the soothing water features contrived by Robert Rigg as part of a GLC initiative in the 1960s had turned sour by the time of Stanley Kubrick’s film of A Clockwork Orange in 1971. Dystopian violence overcame the innocence of Corbusier-influenced architects and planners hoping for a brutalist iteration ... ”