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The View from the Passenger Seat

Lorna Sage: Gilbert Adair, 1 January 1998

The Key of the Tower 
by Gilbert Adair.
Secker, 190 pp., £12.99, October 1997, 0 436 20429 0
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... Nabokov books: Iris Murdoch’s The Black Prince or Philip Roth’s Sabbath’s Theater, though Muriel Spark’s The Driver’s Seat, which has all the right ingredients, was surely conceived mystically between the author and God, without Nabokov’s mediation. Still, Spark put her finger on the reason Nabokov’s ...

What We Are Last

Rosemary Hill: Old Age, 21 October 2010

Crazy Age: Thoughts on Being Old 
by Jane Miller.
Virago, 247 pp., £14.99, September 2010, 978 1 84408 649 8
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... continue to propel events, as they do for Dame Lettie Colston, in another of her sources, Muriel Spark’s Memento Mori. Having ‘dangerously forgotten’ about the love affair which prompted her lingering dislike of the more intelligent Miss Taylor, she is at a disadvantage in their exchanges. Present selves overlie older, or rather ...

Sophie missed the train

Samuel Earle: Carrère’s Casual Presence, 4 February 2021

97,196 Words: Essays 
by Emmanuel Carrère, translated by John Lambert.
Vintage, 304 pp., £9.99, December 2020, 978 1 78470 582 4
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... as a court reporter (‘a tourist in a way’), searching for the story that would give him his spark. He had already published many pieces as a film critic, but 97,196 Words begins here, in January 1990, with his court dispatches. In the first four pieces, Carrère covers the case of a son who tried to kill his mother; the case of a mother who killed her ...

Fiction and E.M. Forster

Frank Kermode: At the Cost of Life, 10 May 2007

... to seem arcane if one were more interested in the science, the narratology, than in the story. Muriel Spark’s The Prime of Miss Jean Brodie is a short novel nearly everybody knows. Asked to tell its story you would have to give up any idea of following the order of events presented by the text. The play and the film give one an idea of the ...

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