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Molasses Nog

Ange Mlinko: Diane Williams, 18 April 2019

The Collected Stories 
by Diane Williams.
Soho, 764 pp., £20, October 2018, 978 1 61695 982 1
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... describing Williams as an absurdist or surrealist (though I often think of Leonora Carrington, Samuel Beckett and Gertrude Stein while reading her). The narration is too homely, driven by idiosyncrasy, intimacy, and the valiant effort to maintain dignity. Besides, the sentences that come out of our mouths are routinely weirder than those we think to ...

It isn’t your home

Toril Moi: Sarraute gets her due, 10 September 2020

Nathalie Sarraute: A Life Between 
by Ann Jefferson.
Princeton, 425 pp., £34, August 2020, 978 0 691 19787 6
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... of Joyce’s Work in Progress (later known as Finnegans Wake), as well as early texts by Samuel Beckett, Kay Boyle, H.D., Laura Riding and Paul Bowles. Sarraute found a kindred spirit in Jolas, someone who shared her own aesthetic sensibilities. She would remain a lifelong friend, and later became Sarraute’s translator. Jolas and her friends ...

Creamy Polished Globes

Blake Morrison: A.E. Coppard’s Stories, 7 July 2022

The Hurly Burly and Other Stories 
by A.E. Coppard, edited by Russell Banks.
Ecco, 320 pp., £16.99, March 2021, 978 0 06 305416 5
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... away.If there are other writers who competed as professional runners, I’m not aware of them. (Samuel Beckett was a good sprinter but that was in his schooldays.) To Coppard, the importance of running was that it taught him he was best over a short distance, a lesson he applied to his fiction. Though he published many collections of stories, he never ...

Diary

Christopher Prendergast: Piss where you like, 17 March 2005

... most part on the fringes of the theatrical world, dreaming of becoming the next Sean O’Casey or Samuel Beckett. Ann Sevitt’s engagement to Tom O’Brien produced strains within the family, but were as nothing compared to the firestorm generated by Celia’s engagement to Jim Prendergast. Celia persuaded Elizabeth to throw an engagement party at the ...

An Octopus at the Window

Terry Eagleton: Dermot Healy, 19 May 2011

Long Time, No See 
by Dermot Healy.
Faber, 438 pp., £12.99, April 2011, 978 0 571 21074 9
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... the kettle on, then realises that the sound is coming from the kettle. It is not for nothing that Samuel Beckett was Irish. Long Time, No See is set in the same social and natural world as A Goat’s Song, but not in the same literary one. Among its cast list are the narrator Mister Psyche (known to a local Pole as Mister Side Kick), the Blackbird, Miss ...

Double Act

Adam Smyth: ‘A Humument’, 11 October 2012

A Humument: A Treated Victorian Novel 
by Tom Phillips.
Thames and Hudson, 392 pp., £14.95, May 2012, 978 0 500 29043 9
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... Ethics’ – frequently recalls other masters of strange, urgent sentences: Monty Python; Samuel Beckett; Chris Morris in Blue Jam; and perhaps most vividly of all, Vivian Stanshall in Sir Henry at Rawlinson End. In fact, A Humument is a novel of quotation: not only in the sense that all of its words were written first by Mallock (although ...

Incompetents

Stephen Bann, 16 June 1983

Worstward Ho 
by Samuel Beckett.
Calder, 48 pp., £5.50, April 1983, 0 7145 3979 1
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That Voice 
by Robert Pinget, translated by Barbara Wright.
Red Dust (New York), 114 pp., $10.95, May 1983, 0 87376 041 7
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King Solomon 
by Romain Gary, translated by Barbara Wright.
Harvill, 256 pp., £7.95, May 1983, 0 00 261416 2
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A Year in Hartlebury, or The Election 
by Benjamin Disraeli and Sarah Disraeli.
Murray, 222 pp., £8.50, May 1983, 0 7195 4020 8
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The Sentimental Agents in the Volyen Empire 
by Doris Lessing.
Cape, 180 pp., £7.95, May 1983, 0 224 02130 3
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... The less there is to see, the more there is to say. Such might be the motto of the Beckett enthusiast. An ingenious recent article by James Hansford devotes almost twenty pages to a story whose original manuscript consists of a bare page of typescript,1 But the apparent-neglect of due critical economy is easily explained by the character of Beckett’s corpus of writings ...

Mothering

Terry Eagleton: The Blackwater Lightship by Colm Tóibín, 14 October 1999

The Blackwater Lightship 
by Colm Tóibín.
Picador, 273 pp., £15, September 1999, 0 330 38985 8
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... way to the plainer, more disenchanted idiom of Patrick Kavanagh, or the self-parodic minimalism of Samuel Beckett, so fearful of writing Hiberno-English that he ceased to write in English altogether. Colm Tóibín’s austere, monkish prose, in which everything is exactly itself and redolent of nothing else, belongs to this anti-Revivalist legacy, as do ...

The Albertine Workout

Anne Carson, 5 June 2014

... in space and time ever occupied by the beloved.47. There is no right or wrong in Proust, says Samuel Beckett, and I believe it. The bluffing, however, remains a grey area. 48. Let’s return to the transposition theory.49. On 30 May 1914, French newspapers reported that Alfred Agostinelli, a student aviator, fell from his machine into the ...

What you see is what you get

Terry Eagleton: Bishop Berkeley, 25 April 2013

The Correspondence of George Berkeley 
edited by Marc Hight.
Cambridge, 674 pp., £75, November 2012, 978 1 107 00074 2
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... William King, Edward Synge, Philip Skelton, Laurence Sterne and Jonathan Swift. Sterne, Joyce and Beckett classify the world compulsively, but only to make a mockery of the whole futile business. Walter Shandy, the obsessive rationalist of Sterne’s great novel, is clearly insane. Seduced by an image of pure reason, Gulliver ends up in much the same ...

Dancing and Flirting

Mark Ford: Apollinaire, 24 May 2018

Zone: Selected Poems 
by Guillaume Apollinaire, translated by Ron Padgett.
NYRB, 251 pp., £9.99, January 2016, 978 1 59017 924 6
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Selected Poems 
by Guillaume Apollinaire, translated by Martin Sorrell.
Oxford, 281 pp., £9.99, November 2015, 978 0 19 968759 6
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... Random House Book of 20th-Century French Poetry (1982), where the English-language version is by Samuel Beckett. ‘Zone’ begins, like ‘Prufrock’, by signalling a determination to move beyond 19th-century diction and imagery – ‘A la fin tu es las de ce monde ancien,’ rendered by Beckett as ‘In the end ...

Pound & Co.

August Kleinzahler: Davenport and Kenner, 26 September 2019

Questioning Minds: Vols I-II: The Letters of Guy Davenport and Hugh Kenner 
edited by Edward Burns.
Counterpoint, 1817 pp., $95, October 2018, 978 1 61902 181 5
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... Kenner replied. During this period Kenner published two books on T.S. Eliot, a critical study of Samuel Beckett and The Pound Era, his masterwork (to which Davenport provided considerable input, including the gnomic final sentence: ‘Thought is a labyrinth’), along with several other books, including The Counterfeiters: An Historical Comedy which had ...

Spooky

Terry Eagleton, 7 July 1994

The Collected Letters of W.B. Yeats. Vol. III: 1901-1904 
edited by John Kelly and Ronald Schuchard.
Oxford, 781 pp., £35, May 1994, 0 19 812683 2
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Modern Irish Literature: Sources and Founders 
by Vivian Mercier.
Oxford, 381 pp., £30, April 1994, 0 19 812074 5
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... alphabet. The generous range of Mercier’s pieces, from 18th-century Gaelic antiquarianism to ‘Samuel Beckett and the Bible’, thus comes as a timely reminder of the limits of fashion. As Declan Kiberd remarks in an affectionate Introduction, Mercier was one of the last of the gentleman scholars, and one does not turn to his work for path-breaking ...

I want to be the baby

Kasia Boddy: Barthelme’s High Jinks, 18 August 2022

Collected Stories 
by Donald Barthelme, edited by Charles McGrath.
Library of America, 1004 pp., £40, July 2021, 978 1 59853 684 3
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... was a period of extraordinary activity during which the museum hosted off-Broadway productions of Beckett and Albee, a two-week course in painting from Elaine de Kooning, Lightnin’ Hopkins in concert and a festival of poetry featuring Kenneth Koch, W.D. Snodgrass and Robert Bly. Most fun of all, Barthelme organised an exhibition, New American Artefacts: The ...

Stuck in the slot

D.J. Enright, 8 October 1992

The Collected Stories 
by John McGahern.
Faber, 408 pp., £14.99, October 1992, 0 571 16274 6
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... further unhappiness. We hope for small mercies for McGahern’s characters. He is something of a Samuel Beckett writing in relative longhand, less emblematically and, I would say, more humanly. One of his ostensibly more enterprising characters, who has escaped to work in the oilfields of Saudi Arabia, comes home on leave with habitual ...

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