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“... San Francisco on 7 October 1955. Michael McClure who also read that night along with Gary Snyder, Philip Whalen and Philip Lamantia, describes the poem’s impact in Scratching the Beat Surface (1982): I hadn’t seen Allen in a few weeks and I had not heard Howl – it was new to me. Allen began in a small and intensely ...”

“... conduct seminars to his groupies on the Dylan family’s garbage; fervent hagiographers like Paul Williams; politicians (Jimmy Carter was always quoting Dylan when on the stump), rock journalists, music historians, cultural historians, hard-core fanzine-types; and even an English international fast-bowler – Bob ‘Dylan’ Willis changed his name by ...”

“... Sherlock Holmes tugging on his pipe in the fog-drenched London streets, Philip Marlowe swilling whiskey, waiting for the phone to release him from the solitude of his seedy office, Fitz – ‘Cracker’ – barking at imbecile bureaucracy: the detective is perennially cast as a disaffiliated flâneur, wandering the urban sprawl, collecting pay cheques from the highest bidder ...”

“... His work is very claustrophobic to me. And I have a book in my coat pocket – a book of poems by Philip Larkin, and my God, Larkin is dark – isn’t he? But he writes with such wonderful finesse. KB: The other thing that the critics like to talk about is failure of communication as a theme. I felt that although the characters maybe don’t communicate ...”

“... all judges are drawn from the relatively small barristers’ profession. John Morison and Philip Leith, two Belfast academics, have had a brave go at penetrating and describing in sociological terms the business of advocacy in the United Kingdom – a country containing three separate jurisdictions and legal professions. The contrast between their ...”

“... a charming woman who wrote wry nostalgic sketches to a major figure in Victorian studies. Raymond Williams jump-started this re-evaluation in 1958, when he described her first novel, Mary Barton, as ‘the most moving response in literature to the industrial suffering of the 1840s’. Although Williams went on to complain ...”

“... Poetry and Poets, ‘can a book of criticism be at once so distinguished and so unimportant?’ Of Philip Larkin’s comparable and incomparable ‘miscellaneous pieces’, it might be asked: How can a book of criticism be at once so un-‘distinguished’ and so important? But then how can this Faber book of groans be so exhilarating? The open unsecret is: by ...”

“... they mean Robert Lowell, or Allen Ginsberg, or the Black Mountain imitators of William Carlos Williams. ‘The Liverpool Poets’ are regarded with a mixture of fear and derision. ‘The ranks of the illiterate raise puerile and rhythmless voices,’ wrote Roy Fuller. ‘Infantile simplicity is all,’ wrote Julian Symons.What no one in the symposium ...”

“... His correspondent, John Hohnsbeen, an art-dealer friend, was having an affair with the architect Philip Johnson, and the ‘unprivate walls’ are those of Johnson’s famous Glass House. Schuyler was 28 and this was his first serious mental breakdown. He had only recently arrived in New York after an extended stay in Italy, where he worked for a time as ...”

“... life itself a dignity and a sufficiency’ was to some extent prefigured by William Carlos Williams’s Paterson, which, like The Maximus Poems, explores the historical layers and quotidian rituals of an average American town. Olson differs from Williams, however, in his emphasis on his own participation in the life ...”

“... who eat all my time, the books unread and unwritten. And casting a shadow over it all is what Philip Larkin called ‘extinction’s alp’, no longer a stable peak in a distance, finally becoming rising ground. I could identify only one passage in this 400-page book that rang false. Smith is almost always thoughtful and unpretentious when writing about ...”

“... to America, which has been fashionable ever since Stephen Spender’s Love-Hate Relations. Philip Toynbee, in the Observer, came right out with it: ‘by now it is hard to see any reason why an American writer or artist should wish to settle either in Paris or London.’ Then, of course, it was another matter. James, Whistler, Sargent, Mark Twain, Bret ...”

“... He insists, and he has the right to insist, that he is as authentic a voice of modern Britain as Philip Larkin is. As some pages of Poetry and Metamorphosis make clear, the Britain that Tomlinson speaks for is one that most of us, gratefully or not, are ready to think defunct: the Britain of Ford Madox Ford in 1913-15, which was host to Wyndham Lewis’s ...”

“... put Mary McCarthy on the spot. Jarrell himself discounted this, claiming hardly to know her: but Philip Rahv at Partisan, who knew her much better, politely declined to print any of the novel, and Jarrell replied by sending him no further articles or poems. Gertrude is certainly his idea of the archetype of the American woman writer, and in this, as with ...”

“... of his old buddies, notably members of the group shortly to be christened ‘the Movement’, Philip Larkin and Kingsley Amis among them. Frank had once told me Wain helped give him an entrée into broadcasting, perhaps introducing him to the long-serving Third Programme producer, Donald Carne-Ross, and although such casual reminiscences are prone to ...”