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“... it was widely agreed that the very fluency (or facility) of contemporary Italian painting was a mark of its falsity, and, by implication, of its insincerity. Thus it may well be that it was not lack of religious feeling, but – on the contrary – an excessive concern with the correct way of expressing religious feeling, that proved so damaging to this ...”

“... life to be seen back then, so Flannery sets his time-machine for the hundred-million-years-ago mark, in the late Cretaceous period, the moment when the first distinctively European organisms evolved. Or at least, the moment when palaeontology begins to furnish us with evidence of such locally distinct creatures: Flannery is at pains to remind us that the ...”

“... the Paddington frisk’. ‘The whole vagabond population of London,’ the diarist Francis Place wrote, ‘all the thieves, and all the prostitutes, all those who were evil-minded, and some, a comparatively few, curious people made up the mob on those brutalising occasions.’ The memorial to the execution site at Marble Arch is embedded in the ...”

“... broadcast their happiness to the papers. It is the disoriented and incompatible who left their mark – in official statistics, court cases and the columns of the popular press. A small number of vengeful husbands killed their unfaithful wives, their trials reported in salacious detail by the tabloids. Divorces went up, from 4100 decrees absolute in ...”

“... Pazigyi in lower Sagaing Region, a resistance stronghold where hundreds of people had gathered to mark the opening of a local PDF office. Scores were killed in the initial strike; then a helicopter gunship strafed people trying to flee, bringing the total death toll to more than 150. Among them were school children who had been taking part in a ceremonial ...”

“... first number of the Powys Review, in 1977, George Steiner blamed Dr Leavis for praising Theodore Francis Powys above John Cowper, thus denying J. C. his meed of lectures, tutorials and research students. Nevertheless, the book-addicted young, the Colin Wilsons of our time, find John Cowper instantly available in the heart of London, at the Village ...”

“... in which it is placed and how the pilasters of the painting’s stone frame echo those which mark the entrance to the chapel itself. The lighting on the saints in the painting accords with the natural light which comes into the church from the entrance wall. Humfrey’s concern with the settings of altarpieces and with their cost and manner of ...”

“... her. And he sees how he can use her fall to punish the four men, Henry Norris, William Brereton, Francis Weston and George Boleyn (Anne’s brother), who six years before acted in the court masque that celebrated the fall of Cromwell’s master, Cardinal Wolsey. The events of the year 1535-36 become an improvised revenge tragedy, with Cromwell using Anne’s ...”

“... war generated, particularly when told by such as Tim O’Brien or Michael Herr or Philip Caputo or Francis Ford Coppola, still seem a more effective way of dealing with its lingering legacy than the denials of black humour, or the ferocious fireworks display of Desert ...”

“... on to modern Iraq. ‘Views of Rome: The Colosseum’ by Piranesi (1760-78) ‘Netley Abbey’ by Francis Towne (1809) ‘Netley Abbey’ by Samuel Prout (date unknown) ‘Equivalents for the Megaliths’ by Paul Nash (1935) ‘The Destruction of Pompei and Herculaneum’ by John Martin (1822) ‘Sketch for Hadleigh Castle’ by John Constable ...”

“... paintings were in going beyond the inhibition and deference to French and American art that mark much British work of the period. Only Francis Bacon shows the body disrupted and distorted as she does.Cordell’s work, and what one critic called her ‘legendary panache’, should have ensured her a place at the ...”

“... two shared a love of neglected landscape watercolourists – John Sell Cotman, Alexander Cozens, Francis Towne and Samuel Palmer; they made a pilgrimage to Palmer’s Shoreham in 1926. Paul Nash, who taught them at the RCA, described their cohort as ‘an outbreak of talent’ and helped Ravilious and Bawden to find work as engravers, creating bookplates and ...”

“... of The Cardinal’s Hat is a man very much on the make: an ambassador to the court of France under Francis I, a passionate sportsman (real tennis and hunting) and, above all, desperate to be made a cardinal. He is in his mid-twenties, possessed of a splendid income, a strong body and a large network of connections. He is not yet, as Mary Hollingsworth ...”

“... ago’; ‘The evening when we first met’; ‘It isn’t as it was 18 years ago’; ‘I met Francis Jansen when I was 19.’ These phrases are taken almost at random from the opening pages of five different, recent novels, and they are entirely characteristic. Modiano’s narrator registers lapses of time, situates himself at meticulously specified ...”