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At the Brunei Gallery

Peter Campbell: Indian photography, 1 November 2001

... in a picture can speak for him or her self.Official portraiture offered its own opportunities. James Waterhouse, who was having a terrible struggle with the heat on an excursion during which he not uncommonly took a portrait nine times before getting a good negative, struck gold in Bhopal, where the Begum joined in the photographic game with ...

All of Denmark was at his feet

John Sutherland, 12 May 1994

John Steinbeck: A Biography 
by Jay Parini.
Heinemann, 605 pp., £20, March 1994, 0 434 57492 9
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... does, somewhere between literary respectability and bestsellerdom: John O’Hara, Nelson Algren, James Jones, John Hersey. Parini declares in a fighting Afterword that answers to the Steinbeck question ‘spring to mind’. Clearly the answer which springs highest and most persistently is intellectual snobbery. Steinbeck’s low status is ascribed to the ...

The Thing

Alan Ryan, 9 October 1986

Whitehall: Tragedy and Farce 
by Clive Ponting.
Hamish Hamilton, 256 pp., £9.95, March 1986, 0 241 11835 2
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On the Record. Surveillance, Computers and Privacy: The Inside Story 
by Duncan Campbell and Steve Connor.
Joseph, 347 pp., £12.95, May 1986, 0 7181 2575 4
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... Ponting assaults the entire political and administrative apparatus, retail and in gross, while Campbell and Connor go for the army of snoopers and data-gatherers. What they share is a thought which would have shocked a previous generation of political commentators – the thought that the British Civil Service is absolutely not to be trusted, that the ...

At the National Gallery of Scotland

Peter Campbell: Joan Eardley, 13 December 2007

... another pleasure of work seen in a provincial context. For example, Eardley studied briefly with James Cowie, whose painting of two schoolgirls (more Jean Brodie than Balthus, but with a bit of both) is tightly composed and painted – the opposite in handling and drawing of Eardley’s child portraits. It is not surprising that she argued with him. But to ...

On the Skyline

Peter Campbell: Antony Gormley, 21 June 2007

... as any a three-dimensional work can offer – more so, for example, than what happens to you with James Turrell’s light pieces, even the most minimal. The rest of the Hayward (Gormley has used every gallery and taken over spaces in corners and behind the stairs as well) is filled with things. Some are as much architecture as artwork; many, like Blind ...

Poor Harold

C.H. Sisson, 3 December 1981

Harold Nicolson: A Biography. Vo. II: 1930-1968 
by James Lees-Milne.
Chatto, 403 pp., £15, October 1981, 0 7011 2602 7
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... the series gave me my first sight of the work of T.S. Eliot, Virginia Woolf, and I believe James Joyce, though I learn from the volume before me that Sir John Reith, reigning at the BBC, forbade Nicolson to mention Ulysses, then banned. Little encounters of that kind were to be expected in those days, and Nicolson seems not to have attempted to reason ...

Sexual Tories

Angus Calder, 17 May 1984

The Common People: A History from the Norman Conquest to the Present 
by J.F.C. Harrison.
Croom Helm and Flamingo, 445 pp., £12.95, March 1984, 0 7099 0125 9
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British Society 1914-45 
by John Stevenson.
Allen Lane/Penguin, 503 pp., £16.95, March 1984, 0 7139 1390 8
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The World We Left Behind: A Chronicle of the Year 1939 
by Robert Kee.
Weidenfeld, 369 pp., £11.95, April 1984, 0 297 78287 8
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Wigan Pier Revisited: Poverty and Politics in the Eighties 
by Beatrix Campbell.
Virago, 272 pp., £4.50, April 1984, 0 86068 417 2
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... subsequently ‘discovered’ and launched as a public performer, she spoke of the time when King James had roamed the country as a gaberlunzie man as if it was just a moment before yesterday. What she sang seemed to her to be fact, or at any rate truth, and her historical sense collapsed chronology. I was moved to remember this by J.F.C. Harrison’s ...

At Tate Britain

Peter Campbell: Howard Hodgkin, 6 July 2006

... Britain (until 17 September) there are writings, culled from various sources, by Julian Barnes, James Fenton, Susan Sontag, William Boyd, Bruce Chatwin, Bruce Bernard and Colm Tóibín (Barnes has also made a loan to the exhibition). Some are affectionately biographical. Comparisons between Hodgkin’s art of memory and Proust’s are made.* The pleasure ...

At the V&A

Peter Campbell: Quilts, 22 April 2010

... commentary is not new. The patchwork made in his spare time in the decade between 1842 and 1852 by James Williams, a Welsh tailor, shows Cain and Abel, Noah and his ark and no end of animals. It also applauds modern engineering with representations of the Menai suspension bridge and the Cefn viaduct. There are patriotic and religious quilts which would elevate ...

At the Wallace Collection

Peter Campbell: Osbert Lancaster’s Promontory, 25 September 2008

... of Osbert Lancaster’s drawings, cartoons, illustrations and set and costume designs, selected by James Knox, will begin at the Wallace Collection on 2 October. Lancaster was a short man with a big head, strikingly large blue eyes, a curled moustache and a dandy’s taste for very good, but emphatic clothes (pink shirts, bow ties). He surveyed English society ...

At the National Gallery

Peter Campbell: Copying the Masters, 24 May 2007

... the sometimes charming young lady painters.’ Du Maurier offered the plot of Trilby to Henry James, who didn’t take it up but who had, in The American, already noted the same class of Louvre lady painter: Christopher Newman looked ‘not only at all the pictures, but at all the copies that were going forward around them, in the hands of those ...

At Tate Britain

Peter Campbell: Gainsborough, 28 November 2002

... actual motion, and done with such light airy facility. Oh! it delighted me when I saw it,’ James Northcote, a pupil of Reynolds, said, having watched Gainsborough at work on Queen Charlotte’s drapery.But these accounts of his later practice are irrelevant to the pictures one turns to first: those crisp, bright, freshly coloured group portraits in ...

Black Electricities

John Sutherland, 30 October 1997

The Collected Letters of Thomas and Jane Welsh Carlyle. Vol. XXV: January-December 1850 
edited by Clyde de L. Ryals and K.J. Fielding.
Duke, 364 pp., £52, September 1997, 0 8223 1986 1
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Reminiscences 
by Thomas Carlyle, edited by K.J. Fielding and Ian Campbell.
Oxford, 481 pp., £7.99, September 1997, 0 19 281748 5
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... recall to current political debate, if only to induce a necessary modesty. K.J. Fielding and Ian Campbell, the British side of the joint Anglo-American team producing the letters, have taken time off to edit Carlyle’s Reminiscences. They have stripped away the varnish laid on by previous editors and reinserted what earlier prudence deleted. The ...

That sh—te Creech

James Buchan: The Scottish Enlightenment, 5 April 2007

The Enlightenment and the Book: Scottish Authors and Their Publishers in 18th-Century Britain, Ireland and America 
by Richard Sher.
Chicago, 815 pp., £25.50, February 2007, 978 0 226 75252 5
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... In March 1776, James Boswell and Samuel Johnson visited Pembroke College, Oxford and called on the master, William Adams. According to Richard Sher, Boswell wrote in his journal how dismayed he had been to see in the master’s library a copy of the quarto edition of David Hume’s Essays and Treatises on Several Subjects of 1758, handsomely bound in morocco leather ...

The Loneliness Thing

Peter Campbell, 5 February 1981

Nature and Culture 
by Barbara Novak.
Thames and Hudson, 323 pp., £16, August 1980, 0 500 01245 8
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Edward Hopper: The Complete Prints 
by Gail Levin.
Norton, 128 pp., £9.95, April 1980, 0 393 01275 1
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Edward Hopper as illustrator 
by Gail Levin.
Norton, 288 pp., £15.95, April 1980, 0 393 01243 3
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... streets that taper off into swamps or dump heaps’. These struggles to accommodate what Henry James called ‘our crude and silent past, our garish climate, our deafening present’ to European traditions resulted in a realist tradition which may turn out to be America’s greatest contribution to 19th and 20th-century painting. Professor Novak’s book ...

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