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“... The thing about John le Carré used to be that he was a brilliantly ingenious spyhack but couldn’t really write; and one way of getting back at him for being rich and famous was to mock at his almost lovably transparent wish to have this judgment changed. He had said one or two testy things about the arrogance of highbrow critics, their unwillingness to see quality in the so-called lower genres, and he would regularly pepper his spy books with quotations, literary references, browfurrowing Germanic aphorisms and the like ...”

“... What was T.S. Eliot’s favourite colour? Which season – summer, autumn, winter, spring – would you expect to feature most often in the works of Philip Larkin? And which of these two poets would you reckon was the more self-centred, fond of flowers, susceptible to hyphens, keen on using the word mother? Such are the questions that can spin off from too many hours spent browsing in the realms of the Concordance ...”

“... So: what was your big World Cup thrill? Hadji’s shuffle? Branco’s kangaroo jump? Suker’s pulse-check? Or was it your first sight of those 11 yellow-haired Romanians? Earlier tournaments are now known by their ‘defining moments’. In 1970, we had Moore and Pele swapping shirts; in ‘82, there was the demented Altobelli; in ‘86 the Hand of God; in ‘90, Gazza’s tears ...”

“... The titles of Desmond MacCarthy’s books must have seemed to him unassailably offhand – Remnants, Portraits, Experience: titles nicely in tune with his well-known view of himself as a chap who could surely have done better. One of his favourite lines of poetry was Hartley Coleridge’s ‘For I have lost the race I never ran’ and early on in his career he got used to being spoken of as having squandered a great gift ...”

“... I feel like the man who shot Bambi,’ said Alan Sugar in May 1993, shortly after sacking Terry Venables from his job as manager and ‘chief executive’ of Spurs. Sugar presumably meant Bambi’s mum. Bambi, as everybody knows, is still alive, still kicking, and now manager of England. For a crack shot like Alan Sugar, it must be galling indeed to see his quarry frisking on the fabled Wembley sward: no longer wet-nosed and shaky-legged, perhaps, but still thoroughly adored ...”

“... In the title story of Edward Upward’s new collection, a forgotten Marxist author of the Thirties dreams that he is approached by a present-day admirer, a ‘lecturer at a Yorkshire polytechnic’. At first Stephen Highwood is suspicious. He doesn’t expect people to know who he is. His books have long been out of print and are not to be found in public libraries ...”

“... When John Major ascended to 10 Downing Street, the wits were at first unsure quite how to set about him. There was the obvious, the elementary ‘grey’ approach: the Burton suits, the haircut, the delicious fry-ups and so on. On this reading, Major could be presented as a drearier-than-either cross between James Stewart and J. Alfred Prufrock. He was prime minister by accident, or for-a-day ...”

“... On 4 March it will be ten years since the death of the writer Francis Hope – killed at 34 in the Turkish Airlines DC10 crash outside Paris – and this last week I have been going through a small mountain of his journalism, for a possible collection of his ‘literary essays and reviews’. For about twelve years, Hope wrote regularly for the New Statesman, the Observer, the TLS: he also contributed to several smaller journals – including my own verse periodical, The Review, which he served for a decade as a member of the editorial board (indeed, so far as I can remember, he attended all three annual general meetings ...”

“... Raymond’s Revuebar is usually thought of as Soho’s superior strip club. It stages not mere skin shows but Festivals of Erotica, it sells Dunhill or Lambert and Butler cigarettes, and it gets itself listed in the daily papers under Theatres. Svens and Ottos have no need to look shifty when they sidle into Raymond’s. This is no quick stop-off for provincial wankers ...”

“... The first ‘poems’ by Clive James I can remember seeing were in fact song lyrics written to go with the music of Pete Atkin. I call them ‘poems’ because that’s what Clive wished them to be called. In fact, I’m not sure what they were: highbrow lyrics or lowbrow verse? Set to music, they sounded more or less OK, but ‘on the page’ they seemed sentimental and pretentious – endearing if you happened to like Clive, but almost embarrassingly overanxious to establish that the pop mode could accommodate a finely-educated literary talent ...”

“... If I were a trendy left-wing homosexualist, or an old age pensioner, or a half-Jew, or a young novelist, or a Negro, or an Anglican archbishop, or Harold Evans, or even the editor of an Arts Council-backed literary magazine, I suppose I would find some sections of this often amusing book offensive. Actually, more than offensive. I think I would want to do something pretty unpleasant to A ...”

“... In 1915, Ford Madox Hueffer became Ford Madox Ford – by deed poll. Around the same time, at the age of 41, he enlisted for active service in the British Army: ‘I have never felt such an entire peace of mind as I have felt since I wore the King’s uniform. It is just a matter of plain sailing doing one’s duty, without any responsibilities, except to one’s superiors and one’s men ...”

“... Philip Larkin, we are told, left instructions in his will that certain of his writings had to be destroyed, unread. His executors obeyed: the word is that several of the poet’s notebooks, or journals, are now ashes. Did Larkin expect to be so obeyed? Or did he imagine that perhaps someone, somehow, might take a peek at the material before it reached the flames? And if such a thought did cross his mind, why didn’t he destroy the stuff himself? He must have known that, by not doing so, he was bequeathing at least the possibility of a dilemma ...”

“... In one of John Berryman’s more lucid dream songs (No. 364), there is amusing reference to the reading habits of Henry, the song sequence’s screwed up protagonist: O Henry in his youth read many things he gutted the Columbia – the Cambridge libraries – Widener – Princeton – the British Museum – the Library of Congress but mostly he bought books to have as his own cunningly, like extra wings ...”

“... monster compilation is to intensify one’s admiration for the 1968 selection, put together by Ian Angus with help from Orwell’s widow, Sonia. (Angus, it should be said, has had a hand in editing the 20 vols.) Unerringly, it seems to me, Angus chose the very best from Orwell’s vast non-fiction output: not just the best essays (after all, nearly every ...”