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In Moscow

Tony Wood: In Moscow, 8 August 2002

... a striking uncertainty about Moscow urbanism, a looseness in its grip on the landscape, something Walter Benjamin, who was in Moscow from December 1926 to February 1927, observed with perceptive perplexity:In the streets of Moscow there is a curious state of affairs: the Russian village is playing hide-and-seek in them. If you step through one of the ...

At the Guggenheim

Hal Foster: Italian Futurism , 20 March 2014

... it in his March on Rome in 1922. This is one lesson of futurism, and it was articulated as such by Walter Benjamin at the end of his essay ‘The Work of Art in the Age of Technical Reproducibility’ (1936): with Marinetti and company, Benjamin writes, ‘self-alienation has reached such a degree’ that mankind ‘can ...

The Marxist and the Messiah

Terry Eagleton: Snapshots of Benjamin, 9 September 2021

The Benjamin Files 
by Fredric Jameson.
Verso, 262 pp., £20, November 2020, 978 1 78478 398 3
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... Fredric​ Jameson points out in this study that Walter Benjamin never wrote a book, or not of a traditional kind. His account of German baroque theatre, translated into English as The Origin of German Tragic Drama, was written in the early 1920s as an academic thesis, though it was later published as a book ...

Newsreel History

Terry Eagleton: Modern Times, Modern Places by Peter Conrad, 12 November 1998

Modern Times, Modern Places 
by Peter Conrad.
Thames and Hudson, 752 pp., £24.95, October 1998, 0 500 01877 4
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... every moment ushers in some fleeting future which will be instantly superseded, rather as for Walter Benjamin even the most perishable of historical moments is the strait gate through which the Messiah might enter. If classicism, which slows time down, undermines the importance of the contemporary, the same might be said of Modernism, which speeds ...

On the Verge of Collapse

John Sturrock, 19 August 1982

The Siren’s Song 
by Maurice Blanchot, edited by Gabriel Josipovici and Sacha Rabinovich.
Harvester, 255 pp., £20, June 1982, 0 85527 738 6
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... case, as Gabriel Josipovici pre-emptively asserts in his introduction, that Blanchot ‘is, with Walter Benjamin, the finest literary critic of the century’, then we have been grievously remiss in leaving him for so long untranslated. For Blanchot isn’t new: he is in his mid-seventies, he has been writing criticism for forty years, he has published ...

Breathing in Verse

Theodore Ziolkowski: A rich translation of Hölderlin, 23 September 2004

Poems and Fragments 
by Friedrich Hölderlin, translated by Michael Hamburger.
Anvil, 823 pp., £19.95, March 2004, 0 85646 360 4
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... Bewußtsein (1992). The visionary magic that entranced Stefan George’s circle was denounced by Walter Benjamin and exploited by the Nazis for propaganda purposes. Hölderlin’s mental problems have attracted considerable attention in France, from Jean Laplanche’s psychoanalytical probings to Foucault’s refusal to reduce his alienation to a ...

At the Movies

Michael Wood: ‘The Worst Person in the World’, 21 April 2022

... bafflement rather than existential angst. I don’t mean the films are shallow or shifting – as Walter Benjamin said, a depiction of confusion is not the same as a confused depiction – but the characters are constantly surprised by the ordinary, and the concept of depth seems new on them. Trier has spoken about presenting a world of ‘failed ...

Donald Duck gets a cuffing

J. Hoberman: Disney, Benjamin, Adorno, 24 July 2003

Hollywood Flatlands: Animation, Critical Theory and the Avant-Garde 
by Esther Leslie.
Verso, 344 pp., £20, August 2002, 1 85984 612 2
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... because American commerce Jews want profit?’ That same year in Berlin, Esther Leslie reports, Walter Benjamin was also thinking about Mickey mania. After talking to some friends, including Kurt Weill, Benjamin made a few notes in praise of this insolent, lowlife, magically animated creature. Mickey’s cartoons ...

Diary

Ardis Butterfield: Who was Chaucer?, 27 August 2015

... it really was’. It means to take control of a memory, as it flashes in a moment of danger.Walter Benjamin, ‘On the Concept of History’ (1940) I am finding it​ very hard to write a Chaucer biography. Commissioned an uncomfortably long time ago, I have delayed and fussed, despaired and dithered, and rewritten the first half several ...

At Piano Nobile

John-Paul Stonard: On R.B. Kitaj, 14 December 2023

... immigrants, who had raised him alone in Cleveland, Ohio, before marrying her second husband, Walter Kitaj. In the drawing, Brooks lifts her head from the letter she is reading, her attention caught by something beyond the frame. Her earring echoes the dowelling pivot of the deckchair – a neat pictorial device – but our attention lingers on the odd ...

Out of Germany

E.S. Shaffer, 2 October 1980

The German Idea: Four English Writers and the Reception of German Thought 1800-1860 
by Rosemary Ashton.
Cambridge, 245 pp., £14.50, April 1980, 0 521 22560 4
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Criticism in the Wilderness. The Study of Literature Today 
by Geoffrey Hartman.
Yale, 314 pp., £11.40, October 1980, 0 300 02085 6
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... both English and American criticism altogether, and to return to Schlegel’s homeland and to Walter Benjamin. The heart of the book lies not in the chapter about Benjamin, however, but in the programmatic chapter called ‘Literary Commentary as Literature’, in which in a handful of brilliant pages Hartman links ...
Nothing if not critical 
by Robert Hughes.
Collins Harvill, 429 pp., £16, November 1990, 0 00 272075 2
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Frank Auerbach 
by Robert Hughes.
Thames and Hudson, 240 pp., £25, September 1990, 0 500 09211 7
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Figure and Abstraction in Contemporary Painting 
by Ronald Paulson.
Rutgers, 283 pp., $44.95, November 1990, 0 8135 1604 8
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... New York as part of the post-modernist experience.’One can’t help reflecting that when Walter Benjamin first diagnosed the effects of mechanical reproduction sixty years ago, it was to welcome it as a liberation. Works of art were being released from their aura, their unique place in space and time, their roots in the past, their ties to ...

Dr Vlad

Terry Eagleton: Edna O’Brien, 22 October 2015

The Little Red Chairs 
by Edna O’Brien.
Faber, 320 pp., £18.99, October 2015, 978 0 571 31628 1
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... Is culture merely a sublimation of barbarism? Is it an authentic source of value even if (as Walter Benjamin considered) its roots were to be found in wretchedness and exploitation, or do its cloistered refinements fatally weaken our sensitivity to more mundane matters, insulating us from common or garden compassion even as they intensify our ...

Un-American

Mike Jay: Opium, 21 June 2012

Opium: Reality’s Dark Dream 
by Thomas Dormandy.
Yale, 366 pp., £25, March 2012, 978 0 300 17532 5
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... had its dark aspect, but suggests that in the modern era we have also become addicted to what Walter Benjamin called ‘that most terrible drug – ourselves – which we take in ...

Must poets write?

Stephanie Burt: Poetry Post-Language, 10 May 2012

Unoriginal Genius: Poetry by Other Means in the New Century 
by Marjorie Perloff.
Chicago, 232 pp., £11.50, April 2012, 978 0 226 66061 5
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Uncreative Writing: Managing Language in the Digital Age 
by Kenneth Goldsmith.
Columbia, 272 pp., £15.95, September 2011, 978 0 231 14991 4
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Against Expression: An Anthology of Conceptual Writing 
edited by Craig Dworkin and Kenneth Goldsmith.
Northwestern, 593 pp., £40.50, December 2010, 978 0 8101 2711 1
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Seven Controlled Vocabularies and Obituary 2004, The Joy of Cooking: [Airport Novel Musical Poem Painting Film Photo Hallucination Landscape] 
by Tan Lin.
Wesleyan, 224 pp., £20.50, May 2010, 978 0 8195 6929 5
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... earlier, more self-confident polyglottist, Ezra Pound. Perloff finds a precursor for all this in Walter Benjamin, who during the 1930s collected thousands of quotations (mostly in French) about Paris, its glass and iron shopping arcades, its street fights, its shopgirls, its effects on Baudelaire and Marx. Adding comments (in German), ...

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