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“... Roger Deakin has swum through England. Instead of a travelogue, he has written a waterlog, and instead of being waterlogged, he has moved around the country untrammelled, and often naked. In this seductive book he gives a rare and visionary account of what it means to feel an affinity with the lakes, springs, rivers, streams and seashores of these islands, instead of the motorways, car-parks and Little Chefs that blight the instincts of the traveller who is eager to commune with what is left of raw nature ...”

“... In politics, Peter Mandelson and Roger Liddle explain for the benefit of their less worldly-wise readers, ‘getting your way can require a degree of intrigue and manoeuvring.’ The straight-dealing Tony Blair would, they say, prefer that this was unnecessary and does not really ‘enjoy the modus operandi’. How very fortunate the Labour leader is, then, to be able to count on the services of one whose name has become a byword for political manipulation and deviousness ...”

“... and several more besides. In August 1873, writing to one of his favourite correspondents, Edma Roger des Genettes, he claimed that since the previous September he had read and made notes on 194 titles, and his final estimate was that he had consulted some 1500 in all – a research curriculum the like of which can seldom if ever have crossed the mind of ...”

“... There are​ two portraits Roger Fenton took of himself, separated by only a year, one of them in the exhibition of his photographs of the Crimean War at the Queen’s Gallery in Edinburgh (until 26 November) and the other not. The first, from 1854, seems conventional: we see a Victorian gentleman – hair parted, beard trimmed to cover only the underside of his face, leaving the strong chin to fight its own battles – seated in a chair, his arm resting on a covered table ...”

“... so are grace, nobility and even the kindness that comes close to being flattery. ‘Van Dyck,’ Roger de Piles noted, ‘took his time to draw a face when it had its best looks on.’ He painted Charles I’s Queen, Henrietta Maria, as a handsome woman – without, it would seem, losing the likeness. Yet her niece, who knew her first from the painting, was ...”

“... assumed. In Caravaggio’s early paintings clearly-defined areas of flesh colour, buff and sandy brown are contrasted with neat patterns of black and white and golden-brown clothing, and with the red of wine or cherries and the fresh green of vine leaves – all contained originally (as early inventories invariably ...”

“... to Mike Molloy, a Mirror reporter. Molloy confronts Gould, who refers him to his solicitor, Sir Roger Pelham. A few minutes later when the phone rang again Raymond still hadn’t moved. He picked up the receiver, his hand still shaking. Pelham confirmed that Molloy had been in touch with him.      ‘I presume you made no comment,’ said ...”

“... simply stamped out; with the Pre-Raphaelites, there was indeed such a potential – he cited Madox Brown’s house, where ‘there were not only artists but also atheists, political refugees, vagrants: there was the kind of widening which was questioning the order of a much wider area’ – and this did link to Morris’s development. But Williams could not ...”

“... of his works. (A long-awaited life is in preparation by the leading Anglophone Cravaniste, Roger Lloyd Conover.) This lacuna is curious because although Cravan was Swiss by birth, and wrote exclusively in French, he was a mix of Irish and English by blood. I have long been fascinated by this hyperbolic but ultimately enigmatic figure, and not the least ...”

“... of a century was a consequence of there being a Russian spy in MI5. Some say the spy was Sir Roger Hollis, the director. A man called Nigel West wrote a whole book saying the mole wasn’t Hollis: it was his deputy, Graham Mitchell (a former official of the Tory Party). Now we have another equally boring and unimpressive book by W.J. West, who says it ...”

“... The publication of this anthology is an important event – as significant as the appearance of Roger Lonsdale’s earlier Oxford Book of 18th-Century Verse, that unmarmoreal volume. As our battle of the books is waged, and canons to the left and right volley and thunder, this dignified Fellow of Balliol has done more to change our view of the 18th century than many avowed canon-chargers with more ostensibly up-to-date artillery ...”

“... job as an articled clerk at a firm of solicitors called Knapp-Fishers, where one of the partners, Roger Maddison, groped her when she was talking on the phone to a client. When she finished the call, he told her off for shrieking. Again, she didn’t tell anyone: ‘it never crossed my mind that complaining would do anything other than make things worse for ...”

“... assassination are a case in point.) He often sounds like a character in a comic novel. His own. Roger Barlow in Seventy-Two Virgins is a self-portrait that reveals a surprising degree of self-awareness:Barlow’s thoughts of political extinction had taken a philosophical turn. Did it matter? Of course not. The fate of the human race was hardly affected ...”

“... But the neighbouring streets still provide the decor of deprivation for photographers such as Roger Mayne: scorched curtains, three-legged prams, free-range, snot-rich urchins and, as the architect Peter Barber recalled with nostalgie de la boue, ‘an elderly woman who used to stand at her gate all day long and everybody knew what was going on on the ...”

“... to write about detective fiction, Edmund Wilson, in his 1945 essay-review, ‘Who Cares Who Killed Roger Ackroyd?’ Her writing is of a mawkishness and banality that seem to me literally impossible to read. You cannot read such a book, you run through it to see the problem worked out; and you cannot become interested in the characters, because they never can ...”