Elegant Extracts
Leah Price: Anthologies, 3 February 2000
The Oxford Book of English Verse
edited by Christopher Ricks.
Oxford, 690 pp., £25, October 1999,0 19 214182 1 Show More
edited by Christopher Ricks.
Oxford, 690 pp., £25, October 1999,
The Norton Anthology of English Literature: Volume One
edited by M.H. Abrams and Stephen Greenblatt.
Norton, 2974 pp., £22.50, December 1999,0 393 97487 1 Show More
edited by M.H. Abrams and Stephen Greenblatt.
Norton, 2974 pp., £22.50, December 1999,
The Norton Anthology of English Literature: Volume Two
edited by M.H. Abrams and Stephen Greenblatt.
Norton, 2963 pp., £22.50, February 2000,9780393974911 Show More
edited by M.H. Abrams and Stephen Greenblatt.
Norton, 2963 pp., £22.50, February 2000,
The Longman Anthology of British Literature: Volume One
edited by David Damrosch.
Longman, 2963 pp., $53, July 1999,0 321 01173 2 Show More
edited by David Damrosch.
Longman, 2963 pp., $53, July 1999,
The Longman Anthology of British Literature: Volume Two
edited by David Damrosch.
Longman, 2982 pp., $53, July 1999,0 321 01174 0 Show More
edited by David Damrosch.
Longman, 2982 pp., $53, July 1999,
Night & Horses & The Desert: An Anthology of Classical Arabic Literature
edited by Robert Irwin.
Allen Lane, 480 pp., £25, September 1999,0 7139 9153 4 Show More
edited by Robert Irwin.
Allen Lane, 480 pp., £25, September 1999,
News that Stays News: The 20th Century in Poems
edited by Simon Rae.
Faber, 189 pp., £9.99, October 1999,0 571 20060 5 Show More
edited by Simon Rae.
Faber, 189 pp., £9.99, October 1999,
Time’s Tidings: Greeting the 21st Century
by Carol Ann Duffy.
Anvil, 157 pp., £7.95, November 1999,0 85646 313 2 Show More
by Carol Ann Duffy.
Anvil, 157 pp., £7.95, November 1999,
Scanning the Century: The Penguin Book of the 20th Century in Poetry
edited by Peter Forbes.
Penguin, 640 pp., £12.99, February 1999,9780140588996 Show More
edited by Peter Forbes.
Penguin, 640 pp., £12.99, February 1999,
“... extend the anthology’s reach beyond what Ricks terms ‘our precious stones from Land’s End to John o’Groats, leave alone the emerald of Ireland’. On the other hand, the editorial policy excludes ‘the British Empire or the British Commonwealth’ through a historical Catch-22. Post-colonial poets are refused entry on the separate-but-equal principle ... ”