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“... were published with two sets of covers to fit the self-images of two overlapping readerships, Ian McEwan’s The Daydreamer, marketed domestically as a children’s book, could be published in Italian translation as for adults. The Young Adult label has a faintly disparaging though illogical overtone (would anyone want to be described as an old ...”

“... of fascinating problems, mostly unsolved’, they have been chary of taking up this challenge. Ian Mortimer’s The Fears of Henry IV fills an important gap, and if it does not solve all the problems it certainly tackles most of them. In the years before 1397, Henry won a large reputation: as his father’s dutiful son, as a champion of chivalry and a ...”

“... sacred duty’.In December 1918 Reilly and Hill got themselves sent by the SIS to the northern Black Sea coast. It took them two weeks to travel from London to Odesa via Paris, Marseille, Malta, Istanbul and Sevastopol. ‘The situation in southern Russia in December 1918,’ Morris writes, ‘was infinitely complicated … Following the defeat of the ...”

“... explained in a column for the South African Mail and Guardian, of turning him into ‘an Angry Black Man’. He describes a party in New York that Kapuściński, in town for a PEN conference, was supposed to attend where he waited for the chance to confront him. When Kapuściński failed to arrive, Wainaina downed a consolation martini and approached ...”

“... that took shape at the end of ration book austerity. As if bringing new definition to the drained black-and-white photographs of the era, Burn re-creates these pivotal years through a detailed inventory of period clothes, period decor, even period simlies (‘they twanged like tram wires, boiled and bubbled like kitchen geysers’), trawling the sleazy ...”

“... Sade. My phone never stops ringing; it is my Beethoven, speaking into it is oral sex, my shining black cock. I press buttons, phone up New York every evening, find out how the markets close, and sometimes, when Eduardo goes down on me, I wrap the cord around his neck until he begs me for mercy.’ Kate Pullinger is altogether more low-key and sequential, and ...”

“... one point he describes the present Queen Mother as ‘blessed with typically Celtic good looks: black hair, blue eyes and a skin like cream’, when any modern student of the subject could have begun the sentence in the same way and gone on with: ‘gingery pube-like rug, yellowish eyes and a hide like a pizza’.) But he is a writer of the pre-daylight ...”

“... have tried bravely to give us an insight into those problems which astronomers now find exciting: black holes, quasars, pulsars, general relativity. The celestial world is a good resource for such works: we can rely on the amazement conjured into being by contemplation of the heavens. Comets, however, seem to raise a few problems. For modern astronomy, we are ...”

“... Bill Deedes is justly celebrated as a nice man and an English archetype, the sort of character Ian Carmichael used to play in Ealing comedies: Woosterish, emollient, never standing on his rank, always accepting Tory family values – usually expressed more forcefully by a fearsome, chauffeur-driven auntie figure, as played by Margaret Rutherford, or, in Deedes’s own life, by Margaret Thatcher ...”

“... tried to chisel free of its moorings. Then got the hell out. Home. Past the squatted shell of the Black Bull with its ‘No Evictions’ banner, through the Blank Generation extras waiting for nothing in the boarded-up shopping precinct, ducking into Muggers’ Alley alongside the decommissioned post office. To my Mid-Victorian terrace, an enclave of class ...”

“... could share a common enemy. For much of the 20th century, the struggles against communism and black progress were close to indistinguishable. In the late 1930s, local law enforcement waged war on the Alabama Communist Party and the 12,000 black members of the Sharecroppers Union; in the 1970s, right-wing US politicians ...”

“... in the wings: Richard Hell, Iggy Pop, the Ramones. It really was, as the old cliché has it, that black and white. There was no commando unit of primpy stylists for Smith in 1975 – just her, Mapplethorpe and (as related in her 2010 memoir, Just Kids) a few quick shots one afternoon as the New York sun began to dip. One of the reasons the resulting image was ...”

“... fixed positions, and whose skill, together with that of Lord Soames, the Governor, substituted a black Marxist government for a white minority regime – a solution in the tradition of Harold Macmillan’s ‘Wind of Change’ speech of 1960, which charted our withdrawal from Africa. Carrington was certainly the casualty of the Falklands War, although if ...”

“... sort of art-historical Humbert Humbert with traces of Clive Linley, the self-obsessed composer in Ian McEwan’s Amsterdam. He also has an Irish Catholic background replete with sodomitical priests and echoes of A Portrait of the Artist as a Young Man. This upbringing has made him unable to separate a love of art from sexual desire. He is on the search for a ...”

“... engineer Zabilin’s daughter, Masha’), with Lenin depicted as an all-comprehending, all-wise black man. The play’s furious denunciation of ‘counter-revolutionary Whites’ was interpreted in socialist Zimbabwe as an early reference to Ian Smith and the work as a whole commended for showing ‘the importance of the ...”