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“... and a voice. The first reading took place at the Six Gallery in San Francisco on 7 October 1955. Michael McClure who also read that night along with Gary Snyder, Philip Whalen and Philip Lamantia, describes the poem’s impact in Scratching the Beat Surface (1982): I hadn’t seen Allen in a few weeks and I had not heard Howl – it was new to me. Allen ...”

“... your lover) and to be offering his publishers a valuable franchise along the lines of the late Michael Dibdin’s Aurelio Zen. From the start, it would have been a frail scheme to rely on. The book’s prologue, in which a Korean labourer, falsely accused of killing a young woman, is beheaded in front of Minami by a military policeman on the day of ...”

“... has another explanation, however. It was just a ‘taboo’, he writes (quoting the historian Michael Howard), like ‘intra-marital sex’. Everyone knew it went on, and was ‘quite content that it should, but to speak, write or ask questions about it’ was ‘regarded as extremely bad form’. But that was not so, certainly at the start, and in ...”

“... hand. We shouldn’t expect the results to cohere, since we are all bundles of self-contradiction, wise in some ways and foolish in others, brave at one moment and fearful the next, subject to change from year to year, from hour to hour. In his later writing especially, Montaigne is at ease with his limits, faults and errors, the more so since everyone has ...”

“... assumptions of their times. Sayers adds social and cultural snobbery to a conservative feminism; Michael Innes ties a display of interest in neoclassical art, literature and architecture to one in dreams, nightmare and the grotesque; Margery Allingham’s deep love of a semi-fictional and fast disappearing way of life in rural Suffolk and Essex is ...”

“... Farson, in The Gilded Gutter Life of Francis Bacon (also 1993), gives it a passing reference. Michael Peppiatt, in Francis Bacon: Anatomy of an Enigma (2008), gives the year of Bacon’s departure for the cottage as 1942, adding: ‘The enforced idleness, free of wartime anxieties and the distractions of London, served as a catalyst to his real ...”

“... him to theirs; and a distance from the vulnerably literal or the merely particular, intimating a wise perspective de haut en bas. This translated itself into saying that Richardson, and with him a whole line of future novelistic development, was ill-bred. His prolix and clammy immediacies were regarded by patrician readers as large-scale solecisms. They were ...”

“... Both of them were careful to spare the susceptibilities of their correspondents back at home. Michael Hurd (The Ordeal of Ivor Gurney) may well be right in contending that Gurney’s madness cannot simply be traced to his experiences in the trenches, horrible though they were. At the Front he seems to have been stoical, cheerful, relaxed, detached: as if ...”

“... however, will still be there, perhaps even with its inborn scepticism reinforced, more worldly-wise for having just been overwhelmed. Australian prose is at its most characteristic when ready-salted. On the whole, Australian journalists have written better history, or at any rate better-written history, than the historians, among whom Geoffrey Blainey ...”

“... advocate of realism, Dr FitzGerald, is a statesman who, in the Fine Gael mould effectively cast by Michael Collins and Kevin O’Higgins, seems to share British attitudes to the politics of the possible. His views on the future of Ireland are therefore of particular significance in connection with the new initiative. In the Richard Dimbleby Lecture, under the ...”

“... belief in the artist as amateur, and the American of a belief in the artist as professional. This wise saw is filled out with modern instances. Davie has lost none of his ability to swoop upon a single fact of singular importance. On Allen Tate’s retreat from the factuality of his poems, such that ‘Shadow and Shade’ is seriously flawed by ‘the ...”

“... his book begins, ‘for his professional appreciation/of/William Shakespeare’. (Was Reagan wise to garnish Rowse’s text? What if the Dark Lady becomes an election issue, with Emilia v. Ms Elgar, the Italian against the black vote?) Throughout Rowse’s introduction, a tone of Olympian effrontery prevails. ‘All the problems of Shakespeare’s ...”

“... confronts the beholder far more boldly. Charles Hope, in his remarkable monograph on Titian, like Michael Jacobs in a brisk and entertaining polemic on the nude in painting, rejects the idea that this is a painting of Venus.1 It represents simply ‘a mortal female lying on a bed’, as Hope puts it, ‘gazing at us with a startlingly direct and unambiguous ...”

“... the path of the Moon and the shape of the Earth. He never doubted that the world showed God’s wise design – he was impressed, for example, by the fact that only if a centripetal force varied exactly as the inverse square of the distance would bodies act as though their mass was concentrated at their centres or generate stable orbits. This wisdom was ...”

“... and first wife in Vienna, his third wife in Hungary, and close friends (notably Lewis Namier and Michael Karolyi) among émigré intellectuals and political refugees. His later ‘plain man’ affectations notwithstanding, he was multilingual, well-travelled and knowledgeable about European music, architecture and wine. Wrigley brings out those connections ...”