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“... rightly thinking it available elsewhere, but he does publish the touching letter Max wrote to Robert Ross, Oscar’s premier initiator, when he was in New York with his half-brother, the famous impresario Herbert Beerbohm-Tree. A Canadian adventurer and confirmed homosexual, Ross was a remarkable and on the whole a rather good man, who became influential ...”

“... of a taxi by David Frost during the expensive year when he functioned as the club’s secretary.) Robert Helpmann choreographed all the Footlights revues in the late Thirties. Things picked up under his regime to the extent that the chorus line, instead of being Dadie Rylands protégés dolled up in point shoes and tutus, were rugby-players dolled up in point ...”

“... peer, Victor Bulwer-Lytton, the second Earl of Lytton; her late father was the poet and statesman Robert Bulwer-Lytton, who had been viceroy of India at the time of the Great Famine of 1876. This was her first stay in prison, and she had been looking forward to seeing how badly women were treated there: instead she was placed in the hospital wing, where she ...”

“... told another friend. He wasn’t to be taken as seriously as a distinguished foreigner like Ernst Robert Curtius might think; and Eliot wrote to someone else that he had ‘never found any writer whose views were so antipathetic to me as Murry’s’. Murry seems not to have understood that his polemical position meant they couldn’t have lunch, and must ...”

“... as the inevitable progress of the law’s internal logic, or from historians of the family like Lawrence Stone, who identify it with the triumph of the Affective Individual. Married Women’s Separate Property begins with the Restoration and concludes with the passage of the Dower Act of 1833: a minor piece of legislation, as Staves acknowledges, that ...”

“... the presentation of ‘Speak for England, Arthur’, the play within the play. The memoirs of T.E. Lawrence and Virginia Woolf occur in the original script and the visit to the country house on the eve of the First War, but these are presented as the memories of Hugh and Moggie, the upper-class couple who sit out the Second World War in the basement of ...”

“... For three words once, in 1987, Martin Amis sounded like D.H. Lawrence. ‘Art celebrates life,’ he wrote in his keenly anti-nuclear Introduction to Einstein’s Monsters, and then he went back to being himself: ‘and not the other thing, not the opposite of life.’ Before nuclear weapons had dawned on him – ‘I say I “became” interested, but really I was interested all along’ – it was not always clear what life Amis’s writing was on the side of ...”

“... clues in the articles themselves. When attributing a piece on ‘The Portraits of Sir Thomas Lawrence’, Wu observes that the most obvious clue is the writer’s claim to have ‘seen the author of Thalaba seated beneath just such a rock as disgraces the background of the picture’ painted by Lawrence. Wu then points ...”

“... after his death, like Webern’s late cantatas or Bach’s Art of Fugue. Curiously, although T.E. Lawrence had found Homer ‘bookish’ and ‘house-bred’, this line of thinking was never explored, but the question of orality began to focus more on performance and narrative technique than on the difficulties of composition. One of the most tantalising ...”

“... 11, leaving the family $8 after funeral expenses had been paid. Frost’s mother, Isabelle, took Robert and his sister east from San Francisco to Lawrence, Massachusetts, where they lived initially with her parents-in-law before Isabelle tried – with mixed results – to hold down a job as a teacher. Frost was many ...”

“... her ability to make the most improbable people go cuckoo over her. An otherwise mopey young D.H. Lawrence, for example. In 1908, having seen her perform one of her signature roles – Marguerite, the doomed courtesan in La Dame aux camélias – Lawrence sounds like a decadent schoolgirl on heat: ‘Oh, to see her, and to ...”

“... of the career and the frank titillations of style. Like other taboo-breaking writers – D.H. Lawrence and Sylvia Plath come to mind – Hutchins seems to have written for some fairly unpleasant emotional reasons, and the wish to mortify her nearest and dearest was no doubt among them. Such difficult wishing may be far more deeply implicated in artistic ...”

“... terrible to her – exactly what isn’t yet clear. Parker and Barbara then go to an exhibition of Robert Mapplethorpe’s pictures (Parker hates them), to a restaurant (Parker throws up), and, the next evening, to a motel, where Barbara pretends to be a prostitute. The next time they indulge in some sexual role-playing in the same motel, Barbara dresses up as ...”

“... are Laurence Lerner, Cedric Watts, Roger Scruton, John Holloway, Gabriel Josipovici, Wayne Booth, Robert Pattison and Anthony Thorlby. Four of them teach at Sussex, so I suppose the book started as a bright idea in the Senior Common Room at Falmer. Some of the essays are genial performances. Josipovici obviously likes Barthes’s work, and writes happily of ...”

“... Encyclopédie, Gibbon’s Decline and Fall (1776), and the more specialised works studied by Lawrence Lipking in his important book, The Ordering of the Arts in 18th-Century England – Charles Burney’s History of Music, for example, Joshua Reynolds’s Discourses on Art and Johnson’s own Lives of the Poets. The Oxford History of English Literature ...”