At Somerset House
Peter Campbell: Zaha Hadid, 16 December 2004
“... of one of Bridget Riley’s prismatically divided, coloured abstracts. But these images do not read as flat surfaces; they are accounts of a three-dimensional world. The field is divided into shards and lozenges: the faceted forms of Cubist painting combine with the angled lines and rectangles of the Russian Suprematists. You identify, quite quickly, what ... ”