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“... a purse without money; an old dry apple, or the gutters run pure claret.’ This sounds very like Lawrence, except for the balancing, divided attitude. Hughes, it’s clear, is the most important writer to emerge from English Nonconformism since Lawrence. Like him Hughes writes to the moment with a voracious intensity. Yet ...”

“... and privilege meet. This book has several faults but at least one great merit: Arthur Gold and Robert Fizdale have seen that Misia’s personality, even if it can never quite be captured, remains highly interesting for the light it casts on how talent can cohabit with gracious living and yet still keep its distance. Misia features a good deal of ...”

“... apparently struck by a train during one of his blackouts). Spencer’s reputation as a poet, like Robert Graves’s and Lawrence Durrell’s, has always been tainted by his association with the Mediterranean, an injustice which the Collected Poems, intelligently edited by Roger Bowen, seeks to put right. The volume shows ...”

“... in which he argued – largely on the evidence of directions taken by several serious poets (Robert Lowell and Robert Bly, Elizabeth Bishop and Ed Dorn are those who come to mind) – that the North American imagination is beginning to define its identity no longer on a West-East axis, across the Atlantic to ...”

“... Both phrases are perfectly clear, yet each is as far as possible from what the insufferable Robert Nye commends in the diction of Grigson: ‘how close that idiom comes to living speech’. Much virtue in that ‘living’! For Gurney, the life that there is in English speech has been injected into it by lonely, learned and masterfully artificial ...”

“... included Spartacus, depicted as a virtuous rebel against some very British-looking patricians in Robert Montgomery Bird’s melodrama The Gladiator (1831), and the anti-aristocratic hero of Robert Conrad’s Jack Cade (1835), a martyr who dies with the words: ‘The bondman is avenged, my country free!’ Perhaps ...”

“... fact. It was a charge perfectly commonplace among all who knew Ford, friends as well as enemies. Robert Lowell, who met him through Allen Tate near the end of his life, quotes the story of Ford, an over-age wartime second lieutenant, playing golf with Lloyd George and giving the PM a piece of his mind on golfing etiquette: had he refrained, he told ...”

“... appropriate bonhomie to a gentleman’s confidences: ‘You may be thinking that when Myrtle and Robert made up to each other I made fun of it, and that when Myrtle made up tome I solemnly took it all in. You are quite right.’ With a little practice, of course, one comes to respond to this respectful consideration. The cosseted reader starts to enjoy, not ...”

“... in for ‘experiment’, from James, Ford and Conrad and Joyce to, say, Golding and Ian McEwan. Lawrence saw how much might be done in a novel, how free it could be of constraints, how apt to the business of making it new; the novel was protean, insisting on its own virtually infinite possibilities, experimental in its very nature. Johnson was fond of ...”

“... the Supreme Court has been gathering momentum for almost twenty years: the nomination battles over Robert Bork in 1987 and Clarence Thomas in 1991 were harbingers. But times have changed since these bitter contests. Bork was a cutting-edge neo-conservative of the 1980s, but his successors may well go far beyond him, striking down laws protecting workers and ...”

“... valuable aspect of the Oxford volumes, whose examples range from the minuscule (Laura Riding and Robert Graves’s Focus, a ‘private magazine, for and by friends’, or Georges Bataille’s Acéphale, the house organ of his eponymous secret society) to the massive (Vanity Fair and the New Yorker, with circulations in 1930 of 90,000 and 100,000 ...”

“... of an easy story. But it was Frazer who found his way onto the pages of the popular press. Why? Robert Fraser (no relation, different spelling) has not set out directly to answer that question, but his book does serve to highlight the problems of Frazer’s success. The Making of ‘The Golden Bough’, published to coincide with the centenary of the ...”

“... his critical appreciations of modern French writers. The first man he meets is a young painter, Robert Canyot, a traditionalist who thinks Richard far too modern. Richard wins Robert’s girlfriend, Nelly Moreton, although Richard fears she is too young for him: they have much in common, Richard and Nelly, both being ...”

“... oddly says all this will sound strange to western ears, though it was gospel to Blake and D.H. Lawrence and a lot of other people. Somebody should find out why is was so fashionable in those days – for it was also important to the ideologues of the Third Reich. And this is what angers Wiedmann, who hates Expressionist art, not only because he thinks it ...”

“... on Titus Andronicus, Goethe and Idomeneo, before reaching Modernism with Stravinsky, Eliot, Mann, Lawrence and Schoenberg, mentioning Adorno and Horkheimer only to remark that their ‘assumptions about the origins of sacrifice are now mere curiosities’. Along the way he discusses many forgotten operas and plays, working with great piles of literature and ...”