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“... Was Hugh MacDiarmid a great poet? Was he, as John MacQueen asserts in his Foreword to Catherine Kerrigan’s study, one of ‘the three greatest poets to use English in the 20th century’, the other two being Yeats and Eliot? One can understand MacQueen putting the matter that way, but perhaps it is not the most helpful way when the reputations of Eliot and Yeats are shaking down, in the ordinary process of time, following their immense acclaim ...”

“... She was related by marriage to some of Britain’s most influential families, including the (Lord John) Russells and the Trevelyans; her father, Sir Hugh Bell, was also a Liberal MP. She took a brilliant First in history after only five terms at Oxford, despite enjoying an active social life. Her interest in the East began at 25, when she spent six months at ...”

“... an admission that the quest might be disastrous. So it only seems to be a story about Scottie, or John Ferguson (‘Scottie’ is a curious name, like that of a small dog). Scottie is a police detective until, unmanned by vertigo, he allows a fellow cop to fall to his death in the course of a rooftop chase in San Francisco. Did the police force not know about ...”

“... San was chiefly the work of the Dutch, and some British historians have accepted this view, but John Philip, a hawk-eyed missionary in the 1820s, knew that this wasn’t so. The system ‘which rendered the Dutch name so infamous’, he wrote, is now being carried on ‘in all its horrors’ under the British Government: ‘Impatient to obtain undisturbed ...”

“... to say rival) in this quest is Scott Eyman, an American expert in movie history. His book on John Wayne from 2014 is extraordinary for its revelation of awkwardness in a cinema celebrity. Eyman has also written excellent books on Ernst Lubitsch, Cecil B. DeMille and John Ford, and about the moment when sound changed ...”

“... of George Harrison’s All Things Must Pass; various reflections on the fortieth anniversary of John Lennon’s death; a trailer for Peter Jackson’s new Beatles documentary, Get Back; a new documentary about Mark David Chapman; an article trailed as ‘the inside story of how Bowie met John Lennon’; a lockdown viewing ...”

“... from his immediate superior in the police force. ‘No man is an island, Dave,’ he says, quoting John Donne slightly out of context. ‘You can’t set yourself against the world and get away with it.’ The plot of the film says this cynical fellow is wrong, but taking up a broader perspective, we could ask where the movies, and many great novels, would be ...”

“... Sally’) and Ezra Pound, who was indicted for broadcasting from Italy; in Britain, John Amery and P.G. Wodehouse, who was cold-shouldered for giving a jaunty talk about life in his internment camp. Lord Haw-Haw was the most notorious radio traitor of all, and many British people, in the charged atmosphere of the postwar months, seemed ...”

“... that his play-acting nature became a running joke in his movies. ‘You’re just not convincing, John,’ Grace Kelly tells him in To Catch a Thief, ‘You’re like an American character in an English movie. You just don’t talk the way an American tourist ought to talk.’ In Suspicion a crime writer laughs at him: ‘Look at the expression on his ...”

“... film-maker and accountant were members, along with Rotten – now using his more sober real name, John Lydon – and three other musicians. In October, PiL released their first product, a single called, with corporate thoroughness, ‘Public Image’. It was a streamlined, surging noise that hadn’t been heard before, and reached number nine in the ...”

“... exactly the same thing.’ In 1934, Jennings, a young artist and intellectual about town, joined John Grierson’s GPO Film Unit on a freelance basis, mainly, it seems, because he was hard up. He went on to become Britain’s most admired wartime documentary film-maker, and although his is far from a household name, his critical reputation has for decades ...”

“... female role model of the conformist period was June Allyson, pouting loyally at home while James Stewart, camped out in the Mojave Desert, manfully concerned himself with the creation of the Strategic Air Command – a theme that took advantage of the B-36’s capacity to fill the Cinemascope screen. The letterbox format was less suited to June Allyson’s ...”

“... haunted Boston, devouring and copying the treasures in the Museum of Fine Arts and the Isabella Stewart Gardner Museum, even getting a little basic training at night from the New School of Design. Later he would promulgate more lies about having studied at the more prestigious Rhode Island School of Design, or graduated from Brown University. Daily life ...”

“... decay. The litany of names reads like the cast-list of some bizarre Antipodean soap: Allan Stewart, wielder of the pick-axe; Michael Mates, sender of the famous watch; Norman Lamont, evictor (with some help from the tax-payer) of the tenant with too colourful a professional life; Patrick Nicholls, suspected drunk driver; Nicholas Ridley, too loquacious ...”

“... Mount kicks off with some remarks about the so-called satire boom of the early 1960s. It recalls John Bird’s The Last Laugh, the Cambridge Footlights revue of 1959 (which I saw) and while recognising that it was too radical to be very funny, claims ‘it was undoubtedly a strong influence on Peter Cook (one of the original cast members)’, implying, I ...”