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“... and newspaper headline, impression and chronicle. For the middlebrow modernism of U.S.A., John Dos Passos shrewdly kept those registers apart, offering them separately on the page under the headings camera eye and newsreel. Here they are mashed together, and the effect is distinctly lumpy. There’s a reference to Firbank late in the book and perhaps ...”

“... to photograph celebrities, very few of the resulting pictures really worked. On the other hand, as John Berendt, who commissioned her for Esquire noted, ‘her eyes would light up at the mere suggestion of oddity, deformity, depravity.’ When the Sunday Times magazine in London tried to interest her in taking pictures of terminally ill patients in a ...”

“... and they were numerous, included both Fitzgeralds, the New York society hostess Muriel Draper, John Dos Passos, Dorothy Parker, Nancy Mitford, Dawn Powell, even Mary McCarthy, whose rivalrousness towards other intellectual women is legendary. The fact that Murphy seems to have been one of the kindliest people on earth no ...”

“... we were all such boys.’ This is how I remember my early days working for the BBC in the 1960s. John Fortune, John Bird, Keith Waterhouse and Willis Hall: we were all such boys too and it seemed such play. Less play was Beyond the Fringe, but that had its sillier side. Dudley Moore had an act – never, I think, done in ...”

“... one Sinatra’s name was often linked with. Consider the following, from Cosa Nostra (2004), John Dickie’s history of the Sicilian Mafia: ‘Anyone who was worthy of being described as mafioso therefore had a certain something, an attribute called “mafia”. “Cool” is about the closest modern English equivalent.’ Discourse among ‘men of ...”

“... spectacular ways of showing what their product could do. At an exhibition in San Antonio in 1876, John Gates (then just an agent for the manufacturers, later an iron magnate in his own right) sealed off part of the town’s central plaza with barbed-wire fencing and packed it with dozens of fierce-looking longhorn steers. When the animals charged the ...”

“... imperative mode: ‘Be good!’ – a demand, a trap. Women like Rich and Cusk, and also Rozsika Parker and Lisa Baraitser, who lay bare the complex run of emotions to which motherhood gives rise, are issuing a political corrective, sourced in but reaching far beyond the domain of motherhood itself. The idea of maternal virtue is a myth that serves no ...”

“... by 2020. In Taking Power Back, his 2015 book calling for a renewal of local democracy, Simon Parker describes the consequences as ‘perhaps the biggest shift in the role of the British state since 1945’. There is currently a very real risk that Brexit will distract from austerity – no longer the disaster du jour – which will nonetheless grind ...”