Search Results

Advanced Search

151 to 165 of 583 results

Sort by:

Filter by:

Contributors

Article Types

Authors

Here/Not Here

Wendy Steiner, 4 July 1996

... scar. How can the celebrity outsider maintain a sense of his identity, or painterly authority, when he is his own subject-matter and his audience sees that subject-matter as ‘other’, less than ‘us’? Basquiat’s solutions to this dilemma are often brilliant. In the triptych Zydeco (1984), for example, a cinematographer in profile looks through the lens of his movie camera ...

Tunnel Vision

Jenny Diski: Princess Diana, 2 August 2007

The Diana Chronicles 
by Tina Brown.
Century, 481 pp., £18.99, June 2007, 978 1 84605 286 6
Show More
Diana 
by Sarah Bradford.
Penguin, 443 pp., £7.99, July 2007, 978 0 14 027671 8
Show More
Show More
... seven pages of acknowledgments, she knows all (two full pages) the right people (Lord Rothschild, Henry Kissinger, Bruce Oldfield, Emma Soames), quantities (three paragraphs) of the right researchers, and even the right London hotel owner, who made ‘a room available every time I hit town’ for ‘a demanding writer with a moody computer’ in his ...

Thick Description

Nicholas Spice, 24 June 1993

The Heather Blazing 
by Colm Tóibín.
Picador, 245 pp., £14.99, September 1992, 0 330 32124 2
Show More
Show More
... it. Put another way, one could say that these sentences are conspicuously unlike the sentences of Henry James, which were the opposite of bald and remarkable for the poetic thickness they could, at their greatest, deliver. The opening sentence of The Wings of the Dove shows how much work a first sentence can do and what it means to talk of fictional prose as ...

Updike’s Innocence

Craig Raine, 25 January 1990

Just Looking: Essays on Art 
by John Updike.
Deutsch, 210 pp., £19.95, November 1989, 0 233 98501 8
Show More
Show More
... Dramatists, contains a passage germane here: ‘A play of Shakespeare’s and a play of Henry Arthur Jones’s are essentially of the same type, the difference being that Shakespeare is very much greater and Mr Jones very much more skilful.’ This explains a lot when Updike criticises Degas’s ‘unevenness of rendering’: the woman’s dress in ...

Doom Sooner or Later

John Leslie, 5 June 1997

Imagined Worlds 
by Freeman Dyson.
Harvard, 216 pp., £14.50, May 1997, 0 674 53908 7
Show More
Show More
... computer and the cellular telephone’ as ‘the latest of the new toys’. The conduct of ‘Henry Ford, with dictatorial power over his business’ was preferable. No committee would have acted like Ford when he dared ‘to create a mass market for automobiles by arbitrarily setting his prices low enough and his wages high enough so that his workers ...

Playing with terror

Christopher Ricks, 21 January 1982

The Comfort of Strangers 
by Ian McEwan.
Cape, 134 pp., £5.95, October 1981, 0 224 01931 7
Show More
Show More
... the new informalities unutterably hollow: ‘Each afternoon, when the whole city beyond the dark green shutters of their hotel windows began to stir, Colin and Mary were woken by the methodical chipping of steel tools against the iron barges which moored by the hotel café pontoon.’ Colin and Mary Who? Or rather, since they turn out not to be ...

Metropolitan Miscreants

Matthew Bevis: Victorian Bloomsbury, 4 July 2013

Victorian Bloomsbury 
by Rosemary Ashton.
Yale, 380 pp., £25, July 2012, 978 0 300 15447 4
Show More
Metropolitan Art and Literature, 1810-40: Cockney Adventures 
by Gregory Dart.
Cambridge, 297 pp., £55, July 2012, 978 1 107 02492 2
Show More
Show More
... a small anarchy, the members of which do not work together, but scramble against each other’. Henry James would refer to the capital’s ‘horrible numerosity’ and a ‘bigness … fatal to amenity’. But James also saw London as ‘the biggest aggregation of human life’, which – unlike Carlyle’s ‘huge aggregate’ – hints at an agency of ...

Marquess Untrussed

Malcolm Gaskill: The Siege of Basing House, 30 March 2023

The Siege of Loyalty House: A Civil War Story 
by Jessie Childs.
Vintage, 318 pp., £12.99, May, 978 1 78470 209 0
Show More
Show More
... the banks of the River Loddon with views across the valley, from the 12th century until 1531, when Henry VIII granted William Paulet a licence to rebuild. A feudal castle evolved into a stately home fit for royalty, said to be ‘the greatest of any subject’s house in England’. Its nickname, Loyalty House – after the marquess of Winchester’s motto ...

Whirligig

Barbara Everett: Thinking about Hamlet, 2 September 2004

... wary of charges of sedition, came in his writing no closer to his queen than her grandfather Henry VII; Shakespeare’s first tetralogy moves from Henry VI through Richard III to the arrival of Henry Tudor, who would become Henry VII of ...

In Weimar

Richard Hollis, 26 September 2019

... the US army in 1945. Semprún’s picture of Weimar has not lost its irony. The town, set in the green woods and hills of Thuringia in central Germany, has two histories. One celebrates the German Enlightenment; the other remembers the Nazi years. Reminders of both are everywhere. The walk from my hotel to the Neues Museum, which I visited this ...

At the Movies

Michael Wood: ‘Murder on the Orient Express’, 30 November 2017

Murder on the Orient Express 
directed by Kenneth Brannagh.
Show More
Show More
... man behind the moustache? Well, there is a director, who is also Branagh, and Michael Green, a thoughtful and inventive scriptwriter. They give shape and sense to a particular notion of Poirot. But it is Branagh’s acting that makes the notion work. I say this as a non-fan of his Shakespeare films (Hamlet, ...

At the Movies

Michael Wood: Fernando Meirelles, 6 November 2008

Blindness 
directed by Fernando Meirelles.
November 2008
Show More
Show More
... know. Figures vanish into a fog, only bent silhouettes remaining, as if they were slim relics of a Henry Moore exhibition. The screen goes dark. The screen goes white. A traffic light becomes an icon, a strange crystalline object, permanently red. Then we see its twin, permanently green. Outside the movie such lights succeed ...

At the National Gallery

Peter Campbell: Copying the Masters, 24 May 2007

... them, the sometimes charming young lady painters.’ Du Maurier offered the plot of Trilby to Henry James, who didn’t take it up but who had, in The American, already noted the same class of Louvre lady painter: Christopher Newman looked ‘not only at all the pictures, but at all the copies that were going forward around them, in the hands of those ...

Chattering Stony Names

Nicholas Penny: Painting in Marble, 20 May 2021

Painting in Stone: Architecture and the Poetics of Marble from Antiquity to the Enlightenment 
by Fabio Barry.
Yale, 438 pp., £50, October 2020, 978 0 300 24816 6
Show More
Show More
... churches – as well as thousands of bathrooms throughout the world. The dark brown or grey-green fossiliferous marble from Purbeck in Dorset that was much used in English medieval architecture and sculpture is also a limestone. Barry notes that Master Henry of Avranches, the cosmopolitan 13th-century Latin poet and ...

Doing the bores

Rosemary Ashton, 21 March 1991

The Collected Letters of Thomas and Jane Welsh Carlyle, Duke–Edinburgh Edition. Vols XVI-XVIII: 1843-4 
edited by Clyde Ryals and Kenneth Fielding.
Duke, 331 pp., £35.65, July 1990, 9780822309192
Show More
Show More
... Witch’ in his accounts of her social gatherings. Jane uses a Scottish phrase for the dandified Henry Fleming: he is ‘Jenkin’s hen’, one that – as the invaluable editorial notes explain – never knew a cock. The ingenious insult is all the more interesting coming from a woman who may not have enjoyed full marital relations with her husband. The ...

Read anywhere with the London Review of Books app, available now from the App Store for Apple devices, Google Play for Android devices and Amazon for your Kindle Fire.

Sign up to our newsletter

For highlights from the latest issue, our archive and the blog, as well as news, events and exclusive promotions.

Newsletter Preferences