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“... Left Opposition intellectuals – and for its role as a canary in the Stalinist mineshaft, as Orwell records in Homage to Catalonia, a memoir of his time in Spain, most of it spent at the front as a member of the POUM’s ill-equipped military detachments. In Barcelona, Charles Orr worked for the party’s English-language bulletin and broadcast news in ...”

“... Bear of that night sky being the series of novels lit by the round English gentleman, spymaster George Smiley, he who wipes his glasses with the thick end of his unfailing tie. Among the features of these spy stories is a concern with patriotism and uncertainty, not least with the uncertainties of patriotism. There are passages which can be hard to ...”

“... The much gossiped about George Eliot absolutely hated the idea of people talking behind their hands. The year she took up with a married man was also the year Ruskin’s wife revealed her husband’s impotence during court proceedings. ‘Gossip is a sort of smoke that comes from the dirty tobacco-pipes of those who diffuse it,’ Eliot wrote ironically in Daniel Deronda ...”

“... I’d already underlined many of passages I quote here. In my diary there are lines copied from George Steiner (‘the nation-state bristling with arms is a bitter relic, an absurdity in the century of crowded men’) and Abba Eban (‘It is about time that we stand on our own feet and not on those of the six million dead’). Most of these annotations date ...”

“... his period, left a lasting manifesto of critical method. He was no provincial, admiring Goethe and George Eliot along with Tolstoy and Dostoevsky. But most of what he wrote on literary matters he left unpublished, and his range was essentially French. As a critic, he is remembered today principally for his dismissal of Sainte-Beuve’s aberration in talking ...”

“... who worked to abolish both agencies, and Lynne Cheney, wife of Dick and head of the NEH under George I, who wanted to absolve American history from any critique whatsoever. (When I’ve seen these two on TV again lately, I’ve wanted to cry out, like the kids in the horror film Poltergeist, ‘They’re back!’ Can Newt Gingrich, another failed ...”

“... describe him in terms of anti-conformism – which is, of course, just another kind of conformism. George Orwell, to take another of Crick’s heroes, is an example of a writer who did not play at being an enfant terrible; who genuinely shocked, because he was not out to shock. Bourdieu, to be sure, would say that the disregard for distinction is just ...”

“... broke the story that the CIA funded Animal Farm, John Halas and Joy Batchelor’s 1954 version of George Orwell’s political allegory of the Russian Revolution and its aftermath, played out in a British farmyard. Cashing in on his Watergate notoriety, the rogue spook and sometime spy novelist took credit in Undercover: Memoirs of an American Secret ...”

“... In​ 1948, George Grosz sat for a portrait by Stanley Kubrick, then a young photographer for Look magazine. Grosz sits astride a backwards desk chair in the middle of light pedestrian traffic on Fifth Avenue. Neatly dressed in a suit and shiny black shoes, with a very slight smile, Grosz looks as though he’s conquering New York, as he did Berlin ...”

“... systems; others still devoted to writers and artists – Goya, James Baldwin, Updike, Greene, George Eliot and, alas, P.G. Wodehouse. None of the essays is uninteresting and many of them have the virtues of the best kind of journalism – they tell you things you did not know and are unlikely to find out in more conventional quarters. Henry Kissinger is ...”

“... On the evening of 26 April 1937, George Lowther Steer, a correspondent for the Times, was having dinner with other reporters at the Torrontegui Hotel in Bilbao. Sometime after nine, a distraught Basque official rushed into the dining-room: ‘Guernica is destroyed,’ he told them. The town was still burning when the journalists got there ...”

“... the hoped-for improvements which sent forty thousand or so foreign volunteers to fight in Spain. George Green, who went with his wife, wrote to his mother explaining why they were there just a few weeks before he was killed on the Ebro:We came to war because we love peace and hate war . . . Fascism can be decisively beaten in Spain & if it is beaten in Spain ...”

“... as from the more recent New Romanticism of 1940s poetry. Younger writers, taking their tone from Orwell as well as from Leavis and Empson, were adopting tougher attitudes and plainer idioms. ‘The Movement,’ Scott wrote, launching the capitalised noun on its successful career, ‘as well as being anti-phoney, is ...”

“... early 1960s.The subcultural change that led to the demise of this aesthetic was, according to George Melly, signalled by a ‘secret society’ that congregated at the party for the V&A’s Aubrey Beardsley exhibition in the summer of 1966. The next future would be looking backwards. Archigram’s architectural collages had always included ‘dolly ...”

“... This, too, is in the main a political narrative: a struggle for mastery between Asquith, Lloyd George, Baldwin, MacDonald, Chamberlain and Churchill. Other topics were included here and there. But as he remarked in a comment on the problem of constructing general histories: ‘political history provides the acts of the drama; and the rest ...”