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“... was a great success. Stead was to have from that time on powerful literary support: Jarrell, Robert Lowell, Saul Bellow, Theodore Roethke, Lillian Hellman, Peter Taylor, Elizabeth Hardwick in America; Patrick White in Australia. Books previously declined were now published. There were reprints. There was an interest, and it would grow. It was all ...”

“... James is joking. Somewhere along the line, though, the comparisons become routine. James mentions Robert Lowell accusing himself, when mad, of being Hitler, and launches into a riff on the fact that few people accuse themselves of being anonymous small-time Nazis. His own idea of self-deprecation involves measuring himself against Hitler ...”

“... eventually, a Nazi obsession. In the Fifties, it returns as something brighter. The voice of Robert Lowell’s Life Studies grew out of a negotiation between European and American traditions, not least English and American traditions, with the balance of power tilting decisively towards America. Lowell, coming ...”

“... movement is now probably best remembered by the outstanding writers associated with it, such as Robert Penn Warren (All the King’s Men), John Crowe Ransom, Allen Tate, even Robert Lowell, who literally pitched his tent on Tate’s lawn. All of these must have responded warmly to ...”

“... and he wanted to get back to talking about writers. ‘I really hate the way people talk about Lowell,’ he said. ‘They just don’t get that he loved literature. Once I was taking Cal to the hospital and he went upstairs to get something to read and when he came down he was carrying Dante. I thought: “Lowell’s in ...”

“... sorts of American writers: the young Allen Ginsberg paid him homage and copied his style, while Robert Lowell, for example, looked to Williams for a freer, more democratic manner than his rivals could offer. Though he remains an acquired taste in Britain, Williams’s position in American poetry, at least, seems assured. That position rests, above all ...”

“... by them: the one naturally follows the other, as the overnight cell follows the police blotter. Robert Lowell was a rather unsavoury fellow; therefore we should not be surprised by the ‘irresponsible obscurity’ (Carey’s phrase) of his verse. In The Intellectuals and the Masses, Carey moves swiftly from quoting unpleasant and fascistic comments ...”

“... say, catching an old fish and staring at it and then just letting it go? As Elizabeth Bishop told Robert Lowell, ‘I find I’m really a minor female ...”

“... As a boy, Robert Duncan had a recurring dream. He would imagine himself in the middle of a treeless field. The ripe grass rippled, though there was no wind, and the light, as he later remembered, ‘was everywhere’, though there was no sun to be seen. Seeing himself in the centre of a circle of children, all of them singing and playing ‘Ring a Ring o’ Roses’, Duncan understood that he was ‘it’: ‘the Chosen One … a “King” or victim of the children’s round dance ...”

“... I dwell,’ and you see why the line disgusted a generation that valued irony and understatement. Robert Lowell told Spender that the line should be ‘I would think continually of those who are truly great’ because, as he patiently explained, ‘one cannot think of the great all the time, though one may wish to do so’; but the line, with its illogic ...”

“... too, but the war made its way into the nervous system of her poems indirectly and mysteriously. Robert Lowell was a high-profile conscientious objector, writing to Roosevelt in September 1943 with a ‘Declaration of Personal Responsibility’ which objected to the mining of the Ruhr Dams and the bombing of Hamburg. He concluded: In 1941 we undertook ...”

“... 11, leaving the family $8 after funeral expenses had been paid. Frost’s mother, Isabelle, took Robert and his sister east from San Francisco to Lawrence, Massachusetts, where they lived initially with her parents-in-law before Isabelle tried – with mixed results – to hold down a job as a teacher. Frost was many things before he was a poet; by the time ...”

“... other but with all of it ultimately deadening. The story appeared in 1960 in Kenyon Review, where Robert Lowell would very likely have seen it, and where he would, I suspect, have found the penultimate line of his poem ‘The Flaw’, addressed to a woman lying beside him: ‘Dear Figure curving like a question mark’. Callisto’s girlfriend ‘lay ...”

“... house were very different from those of the Sheffield ‘burrow’ – they were described by Robert Lowell as having ‘a weird, sordid nobility’ – but of course it was much larger, and the company tended to be noisy and numerous, whereas in Sheffield he depended on his middle-class academic colleagues for talk and drinking company and even for ...”