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Tickle and Flutter

Terry Castle: Maude Hutchins’s Revenge, 3 July 2008

... of influential mavericks – from Nabokov and Henry Miller to William Burroughs, James Baldwin, Philip Roth and the Beats – had been chipping away at the old taboos. But it still took courage to challenge the stultifying pieties of middlebrow culture. Being a woman didn’t help. (Does it ever?) Over the course of an admittedly strange and somewhat ...

Diary

Alan Bennett: Allelujah!, 3 January 2019

... do I.21 March. Reading a book about William Morris and Kelmscott, I come across a reminiscence by Philip Webb, who remarked to W.R. Lethaby: ‘The best of those times was that there was no covetousness; all went into the common stock … and then we were all such boys.’ This is how I remember my early days working for the BBC in the 1960s. John ...

Gaelic Gloom

Colm Tóibín: Brian Moore, 10 August 2000

Brian Moore: The Chameleon Novelist 
by Denis Sampson.
Marino, 344 pp., IR£20, October 1998, 1 86023 078 4
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... had become friends with many writers, especially Mordecai Richler; now Moore became friends with Philip Roth and Neil Simon. They divided their time between Manhattan and Long Island. Moore won prizes, sold movie rights and began to achieve a sort of fame, but he lived in those years in a world he grew to distrust: ‘I lived in Greenwich Village ...

The Shoah after Gaza

Pankaj Mishra, 21 March 2024

... bordering on ‘minstrelsy’, contrasted sharply with the work of Bellow and Norman Mailer and Philip Roth, who had ‘not shown a great interest in the shadow of the Shoah’.A strenuously willed affiliation with the Shoah has also marked and diminished much American journalism about Israel. More consequentially, the secular-political religion of the ...

Tweak my nipple

Adam Mars-Jones, 25 March 1993

Maybe the Moon 
by Armistead Maupin.
Bantam, 307 pp., £14.99, February 1993, 0 593 02765 5
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... tall, the world’s smallest mobile adult human) lacks access to personal transportation. Cadence Roth, known as Cady, is a dwarf whose show-business aspirations were both fulfilled and strangled at birth, ten years before the action of the book, by a starring but paradoxical role in a classic film for children of all ages, Mr Woods. She played an elf who ...

I was invisible

Christian Lorentzen: Viet Thanh Nguyen, 18 November 2021

The Committed 
by Viet Thanh Nguyen.
Corsair, 345 pp., £8.99, March 2021, 978 1 4721 5253 4
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... and deadly serious purposes. The narrator has parallels with Ralph Ellison’s Invisible Man and Philip Roth’s Alex Portnoy (both inheritors of Dostoevsky’s Underground Man). The accident on the set of the war movie alludes to Invisible Man, and the arrogant, racist Auteur takes the place of the white man who lands Ellison’s narrator in ...

I am Prince Mishkin

Mark Ford, 23 April 1987

‘Howl’: Original Draft Facsimile 
by Allen Ginsberg, edited by Barry Miles.
Viking, 194 pp., £16.95, February 1987, 0 670 81599 3
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White Shroud: Poems 1980-1985 
by Allen Ginsberg.
Viking, 89 pp., £10.95, February 1987, 0 670 81598 5
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... San Francisco on 7 October 1955. Michael McClure who also read that night along with Gary Snyder, Philip Whalen and Philip Lamantia, describes the poem’s impact in Scratching the Beat Surface (1982): I hadn’t seen Allen in a few weeks and I had not heard Howl – it was new to me. Allen began in a small and intensely ...

Palestinianism

Adam Shatz, 6 May 2021

Places of Mind: A Life of Edward Said 
by Timothy Brennan.
Bloomsbury, 437 pp., £20, March 2021, 978 1 5266 1465 0
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... was certain his appendix was about to collapse.’Many illustrious friends and acquaintances – Philip Roth, Nadine Gordimer, Jacqueline Kennedy Onassis – make cameos in Brennan’s biography, but there is little sense of the texture of these relationships. Of Said’s personal life, we learn even less. After his second marriage in 1970, other women ...

Foreigners

John Lanchester, 5 January 1989

Arabesques 
by Anton Shammas, translated by Vivian Eden.
Viking, 263 pp., £11.95, November 1988, 0 670 81619 1
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Blösch 
by Beat Sterchi, translated by Michael Hofmann.
Faber, 353 pp., £11.95, September 1988, 0 571 14934 0
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A Casual Brutality 
by Neil Bissoondath.
Bloomsbury, 378 pp., £12.95, September 1988, 0 7475 0252 8
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... a counterlife, with fiction and fact constantly ducking and weaving around each other. As in Philip Roth’s novel of that name, moments that look like intimate revelations are shown to be virtuoso displays of formalist trickery, and vice versa. For the first sixty or so pages it is possible to read Arabesques as an intelligently contemporary ...

In the Body Bag

Adam Mars-Jones: Ian McEwan’s ‘Nutshell’, 6 October 2016

Nutshell 
by Ian McEwan.
Cape, 198 pp., £16.99, September 2016, 978 1 911214 33 5
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... that set off the tingle of association. The dialogue​ with the gravedigger in Philip Roth’s Everyman is one of the finest things in his late work, a scene of stoic eloquence, with the gravedigger (black, over fifty, with a precise style of speech like a Southerner’s) explaining in detail what he does: I don’t use a machine ...

Endocannibals

Adam Mars-Jones: Paul Theroux, 25 January 2018

Mother Land 
by Paul Theroux.
Hamish Hamilton, 509 pp., £20, November 2017, 978 0 241 14498 5
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... closer to the outlines of Theroux’s history. Neither book is imaginable without the precedent of Philip Roth’s Zuckerman Unbound (1981) – in which Zuckerman’s succès de scandale Carnovsky stands in for Portnoy’s Complaint – and The Counterlife (1986). Theroux followed Roth into a hall of mirrors from which ...

Back to Life

Christopher Benfey: Rothko’s Moment, 21 May 2015

Mark Rothko: Towards the Light in the Chapel 
by Annie Cohen-Solal.
Yale, 296 pp., £18.99, February 2015, 978 0 300 18204 0
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... which Cohen-Solal finds ‘a more opaque and less ethnically identifiable patronymic than “Roth”, the one picked by his brothers’. The name also seems a clever piece of personal branding, like Texaco. Rothko moved, during the early 1940s, from realism to recognisable mythical subjects drawn from Greek and Christian iconography. By 1944, he had ...

‘We’re identical’

Christopher Tayler: Elena Ferrante, 8 January 2015

Those Who Leave and Those Who Stay 
by Elena Ferrante, translated by Ann Goldstein.
Europa, 419 pp., £11.99, September 2014, 978 1 60945 233 9
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... recently to name a book that made her laugh, Ferrante went with Portnoy’s Complaint, and like Philip Roth’s her novels are concerned, in a way that’s clever and distanced but also consciously intense, with giving voice to parts of the self that not everyone puts on display. There are other similarities: a provincial city – Naples, Newark ...

Diary

Christopher Prendergast: Piss where you like, 17 March 2005

... that, in his own small way, he would have given it a hard time. I am not sure what his reaction to Philip Roth’s I Married a Communist would have been. He would doubtless have admired the dedication of Roth’s ‘pure’ Communist, O’Day, but it is to Ira Ringold that my father would have instinctively warmed ...

Get a Real Degree

Elif Batuman, 23 September 2010

The Programme Era: Postwar Fiction and the Rise of Creative Writing 
by Mark McGurl.
Harvard, 480 pp., £25.95, April 2009, 978 0 674 03319 1
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... of privilege.’ We have heard this credo from Cisneros, and we hear it, via McGurl, from Philip Roth:It ‘did not dawn on’ [Roth] that the ‘anecdotes and observations’ of his boyhood in lower-middle-class Newark with which he entertained his highbrow friends ‘might be made into ...

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