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“... until he died in 1988 at the age of 37. He was the author of The Uses of Obscurity and (with Peter Stallybrass) The Politics and Poetics of Transgression. A collection of fugitive pieces, Carnival, Hysteria and Writing, will be published by Oxford next year with an introduction by Stuart Hall, with whom Allon studied at the Birmingham Centre for ...”

“... explanation could there be? Unfortunately, however, it is not true. Max, it appears, was neither gay nor Jewish. He might have been, and been just the same sort of chap, but as it happens he wasn’t. Biographers want to explain things too – often by an unconscious wish to identify themselves with their subjects. I have something in common with Joyce, and ...”

“... also described himself flirting with Blair. Some men have that effect on other men; it’s not a gay thing exactly, but it’s not the opposite of a gay thing, and there is something faintly homoerotic about the governmental milieu described here, full of dark-haired men shouting at each other, TB and AC and PM and GB all ...”

“... And being fair to Murdoch is quite hard at the moment. She has received a sympathetic biography by Peter Conradi, which may be too kind to her, and a sour memoir by A.N. Wilson from which even the concept of kindness appears to be absent. What with John Bayley’s Iris and the film of it, and all the ‘coo wasn’t she a one’ coverage of her sex life, she ...”

“... nowhere, but emerged in very specific economic conditions. Russell’s friend and fellow musician Peter Gordon recalls the mutual support that sustained their circle of friends in late-1970s New York: ‘We used to joke that the same $50 got passed back and forth between us. There was no dividing line between money and the community.’ New York had a ...”

“... the school in Dulwich that her father attended. Although not an amateur like Sayers’s Lord Peter Wimsey or Allingham’s Albert Campion, Inspector Alleyn is quietly well-connected, a younger son who went to Eton and Oxford and then entered the diplomatic service, but left because he couldn’t stick the terms of the Paris Peace Conference; his concern ...”

“... Iread​ Peter Biskind’s book about the New Hollywood, Easy Riders, Raging Bulls, long ago. Apart from scraps of celebrity anecdote, what I remember of it now is something more diffuse, a mood associated with the mysterious figures of the producers: an impression of flared trousers and shirts with the two top buttons undone, collar points two feet apart, of tanned white skin, gold, nice teeth, the smell of tobacco and aftershave and deodorant, of men outwardly confident, hungry, vain, bullying, concupiscent and covetous, but also charming, garrulous, fascinating, prone to infatuations with strangers and their stories, flitting from one intense interest to another, even as they held on stubbornly to ideas for years until the money and the creatives could be married and a film born ...”

“... in these pains … as one who has found great treasures.’ After her breasts are cut off, St Peter heals them (over her protests) so that she can survive to face new torments. A kind of double vision is required of the spectator: where pagan kings and their minions see only unbearable pain, martyrs experience the invisible power of God. Their legends ...”

“... a 15-year-old, adds wire cheese-cutters and sharpened bicycle chains to the list. ‘In Essex,’ Peter Fleming says in Invasion 1940, ‘an unexpected windfall made possible the formation of a cutlass platoon, 24 strong, under the command of a former naval rating.’ He also tells how ‘four dozen rusty Lee Enfields, relics of some forgotten tableau or ...”

“... a younger man is ruined when he falls in love with the fiancée of Florence’s cocaine-addicted gay son, Nicky. The dramatic tension is enhanced by Coward’s need to evade the censor’s blue pencil (a threat until the 1968 Theatres Act) so that, as Soden puts it, unspeakable attractions ‘shiver beneath the dialogue’. The original audience would have ...”

“... aie? ‘Half the poetry of the 18th century is probably written by him,’ a character says in Peter Ackroyd’s novel Chatterton. Yet he appeals equally to defenders and opponents of the canon. Chatterton was convinced of his own talent and ambitious to be recognised as one of the great English poets; but he chose to attract public attention with pastiche ...”

“... Hermann Scherchen, was 17 and studying English at Cambridge. Britten was 24 and this was his first gay love. For the best account of it Evans sends us to John Bridcot’s Britten’s Children. It seems that Wulff was ousted not by a rival lover but by a close friend, Peter Pears. They sailed off to America together, and ...”

“... in 2015, it was mended with the Fresh Start Agreement. The then first and deputy first ministers, Peter Robinson and McGuinness, issued a joint statement signalling ‘our resolve to engender the sea change so longed for by our communities’. The reference was to Seamus Heaney’s The Cure at Troy, in which ‘hope and history rhyme’ and there is ‘hope ...”

“... ultimately be judged and defined by what he does.’ A journalist who may be closer to events, Peter Snowdon ends his book on a more equivocal note: ‘If the last four and a half years have been testing for Cameron’s Conservative Party,’ he writes, ‘the next few will be far harder, whether the party wins or loses.’ Not that Snowdon is in any doubt ...”

“... revolutionaries at their remote and unfashionable base in Sloane Square. Coward and Rattigan were gay writers whose subjects and meanings were (under the strictures of stage censorship) necessarily encoded. By contrast, Osborne’s patron at the Royal Court, George Devine, saw his enemy as, in part, a ‘blight of buggery’ in the English theatre, to be ...”