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“... and Hawksmoor’. Invoking those artists rather flatters whoever designed it (Orbach proposes John James). The third prodigy of the English baroque, Thomas Archer, like Vanbrugh worked nearby in Dorset and Hampshire (both of which south Wiltshire might comfortably be part of). Vanbrugh is the possible author of Netherhampton House, between Salisbury and ...”

“... Infinitely more profound and productive than his nearest 18th-century equivalent, Henry St John, Viscount Bolingbroke, he was also far more prominent in national politics over a much longer span than John Milton or the 3rd Earl of Shaftesbury in the 17th century, J.S. Mill in the 19th century, and Bertrand Russell ...”

“... than a couple of hundred thousand. The inflamed national consciousness which these events were to foster among many of the Afrikaner descendants of the Boers thus acquired a double dimension. In the decades after the war the Afrikaner nationalists could hold up for reverence, not only the active heroism of the guerrilla fighters – the ‘bitter ...”

“... detest what you say, but I will defend to the death your right to say it.’ Actually, as John Durham Peters points out in Courting the Abyss, there is no evidence that Voltaire ever said any such thing. An English writer, Beatrice Hall, writing under a male pseudonym in 1906, suggested that Voltaire’s attitude to the burning of a book written by ...”

“... not have a famous author, but two immensely powerful Valois dukes, Philip the Bold and his son John the Fearless, who built up a great library through purchases, gifts and commissions. Savoy, seat of the crusading Count Amédée VI and his heirs, is an appropriate location for Denis Renevey’s discussion of pan-European chivalry. Othon de Grandson, a ...”

“... The twin-towered Wembley Stadium was erected there and is now being rebuilt with a lofty Foster Arch, which with luck will not become Foster’s Folly. Watkin died before Metroland was conceived, but he would have made an ideal viscount. In the early 1920s few people owned their houses, but they now came under ...”

“... John Stuart Mill​ approved of dissent. In ‘On Liberty’, he argued that vigorous debate improved society and that unconventional behaviour lit the path to freer and more fulfilling lives. He urged the widest tolerance for opinion, speech and even what he charmingly called ‘experiments of living’. Without such pinpricks, he argued, like-minded majorities would grow intolerant and democracies would slide into despotism ...”

“... Andrew McCarthy, Judd Nelson, Ally Sheedy, Molly Ringwald – almost any actor who appeared in a John Hughes teen film qualified). The Literary Brat Pack was a journalistic readymade, roping together a number of writers who may have scarcely known each other and treating them as a floating soirée. It was cartoonish and unfair to most of the individuals ...”

“... politics. But what Hutton calls the ‘new model of ancient Celticity’, introduced in 2010 by John Koch and Barry Cunliffe in Celtic from the West, sees the spread of Celtic languages as a consequence of the existence of an Atlantic trade route rather than ‘waves of invasion’. Trade doesn’t necessarily bring peace. Slave shackles have been found at ...”

“... Sharing such purifying events, they were told, helps build the sharing relationships necessary to foster trust among new teams. ‘Don’t try to make this sound weird, like we had some kind of encounter group therapy up there,’ one participant said, ‘it was actually great. It was just people talking about themselves.’ According to another ...”

“... Like most biographies nowadays, David Nokes’s John Gay is very long, but unlike some of the others it is not much longer than it needed to be. Gay devoted so much of his attention to people grander than himself that his life story can’t be told without allusion to those of more complicated and ambitious figures like Pope, Swift and Addison ...”

“... symbolises everything that is wrong with modern Britain. The cult of the stately home is said to foster snobbery and deference. It makes possible the economic survival of the aristocracy in a supposedly democratic age. It encourages nostalgia for an idealised, rural, paternalist world that never was. It fosters hostility to modern art and a taste for anaemic ...”

“... irritated by talk of class conflict, and is not exactly in congratulatory mood when he calls John Carey the most class-conscious critic of the modern age. (The literary hackles raised by Carey’s recent memoir, The Unexpected Professor, which puts the petty-bourgeois boot into patrician dons, revealed just what kind of talk remains unacceptable in a ...”

“... John Updike’s unfailing geniality and fluent industry appear to get on a fair number of nerves, of which he’s slyly aware. (Is there anything he isn’t slyly aware of? That foxy grin conceals volumes.) When Updike was but a sprig, apprenticing at the New Yorker and carving out a little piece of Pennsylvania as his literary duchy, his gleaming facility was found suspect by some detractors, its satin finish the imposture of a fair-haired boy out to impress his elders with the fine flick of his exquisite perceptions and deflective modesty ...”

“... on Coleridge, Anthony Burgess on Fielding, other reviews by Anita Brookner, Peter Conrad, Roy Foster and Hilary Mantel), and as the limits on the new paper’s resources became apparent I thought how hard it would be to put together pages of comparable stature. There was one solace: the Independent on Sunday would be run by clear-eyed, yet idealistic ...”