Diary: On Disliking Poetry
Ben Lerner, 18 June 2015
What if we dislike or despise or hate poems because they are – every single one of them – failures?
What if we dislike or despise or hate poems because they are – every single one of them – failures?
As Plato knew, the road to something helpful is not only hard, but unpredictable, and the motives that keep people moving down it don’t necessarily have to do with the desire to help. They include that other motive of philosophy, curiosity. In fact, the two motives cannot really be taken apart; the philosophy that is concerned to be helpful cannot be separated from philosophy that aims to help us to understand.
In the early 1990s, the historian Gretchen Gerzina went to a London bookshop looking for a copy of Peter Fryer’s Staying Power: The History of Black People in Britain (1984). When she asked the shop assistant for help she was told ‘Madam, there were no black people in England before 1945.’ In fact, people racialised as black have been in Britain for more than two thousand years.
August 1974. Compared to the Cortinas and Maxis in the carpark, the prototype Concorde taxiing onto the runway at RAF Fairford looked astonishingly modern: but then, it always would.
In the first chapter of this book, a chapter which concerns the time of our marriage, Alvarez has cast me in a variety of roles, from Jungle Jane to Giant Sloth. It may come as a surprise to him to find me among his critics.
I spent the most bizarre night of my life on Hyskeir. If I mention The Birds you will immediately understand.
‘Somehow I find it very consoling to confide in her,’ he wrote to one of his girlfriends. ‘Perhaps because she never does anything to shatter my self-confidence or vanity.’
Admiration is defined by Johnson in that Dictionary as ‘taken sometimes in a bad sense, though generally in a good’, and he was, for the greater part of his life, a great engine of self-admiration, as well as a copious begetter of admiration in other people. Yet none that loved him could easily match the love of James Boswell, who puttered along for many years, joyously, drunkenly, boisterously, earnestly, with his love of Dr Johnson both a wondrous act of worship and a curious kind of self-loving.
Admitting to a passion for celebrity, it seems, is like flaunting a shameful secret. So there might be an intimate, even passionate, connection between the cult of celebrity and shame.
The African university began as part of the European colonial mission, a precursor of the one-size-fits-all initiatives that we associate with the World Bank and the IMF. And so it continued, until decolonisation.
Here I must come clean and admit that one of the Egyptians frustrating Mr Golding on his trip up and down the Nile is very close to me: Ala Swafe, the Goldings’ ‘minder’, is my brother, though he chooses to transliterate his name differently.
Young Harry Potter’s parents are dead. So far, so good: many of the heroes and heroines of the classics of children’s literature are orphans, while others have invisible, unmentionable or irrelevant parents. The sorrow of grieving, not to mention the terror of helplessness, is quickly glossed over in favour of the joy of a fantasised freedom. (A particularly sharp 13-year-old patiently explained to me that if Harry’s parents weren’t dead, there would be no point in writing the book: it wouldn’t be interesting, no matter how many creative details there were.)
One Saturday morning as I lay in bed, dying of flu, William Empson burst into my room, very sprightly, saying: ‘Now come along Jones, you must get up and come to Stonehenge.’ I croaked an apology and claimed an imminent, prior appointment with the Lord God Almighty. ‘Oh dear. I am sorry,’ he said. ‘But you would do much better to come to Stonehenge.’
So the working fairy does at least half a mile a second, probably two-thirds, and the cruising royalties can in effect go as fast as her, if they need to. Puck claims to go at five miles a second, perhaps seven times what the working fairy does. This seems a working social arrangement.
Broad-shouldered, intense and handsome, he looks like a statesman – the antithesis, purposefully so, of the stock image of the degraded slave.