Skip navigation
London Review of Books London Review Bookshop

Prosecco Notwithstanding subscriber-only content

Tobias Gregory

Auden remarked that to read pornography in any other way than as a sexual stimulus is to be bored to tears. Crime fiction is similar: you read it for the story, and literary pretensions are unwelcome. The right style is spare, understated. You don’t want philosophy, psychology, political reflections, purple passages or digressions on the Battle of Waterloo. You don’t want displays of authorial learning, other than accurate-sounding details about the CIA, offshore banks or organised crime. Scenery and portraits should be sketched, not painted. You don’t even want long sex scenes – they’re best interrupted by a midnight phone call or a sharp knock at the door.

subscriber-only content Subscribers to the print edition can log in to view the entire article. For information about subscribing to the London Review of Books click here. This article and the back issue are also available for purchase online. Buy this article / Buy this back issue

Tobias Gregory is the author of From Many Gods to One: Divine Action in Renaissance Epic. He teaches at the Catholic University of America in Washington DC.

LRB cover artwork

From the archive

Short Cuts
Deborah Friedell: American Girls

Welly-Whanging
Thomas Jones on Alan Hollinghurst

Dead Not Deid
James Meek: A Great Radical Modernist

Check out the parking lot
Rebecca Solnit: Hell in LA

An Attic Full of Sermons
Tessa Hadley on Marilynne Robinson